Escape from L.A.

5/28/2020

90s cheese not quite as good as 80s cheese, but still an entertaining enough action-thriller, though some moments were laughable and not in a good way (Snake riding surfing a wave isn't all that bad ass), plus the effects work was rather poor. I don't have a great fondness for Escape from New York, however it was far superior. **3.0/5**

7/6/2022

So Los Angeles has become a glorified open-air prison (who'd have thought?) and "Snake" (Kurt Russell) is invited to do his "Mad Max" thing and go in, at considerable peril to himself, and fetch a gadget that could enable the US President (Cliff Robertson) - or anyone else with the codes, for that matter - to use a satellite in the best traditions of "Diamonds are Forever" (1971) and destroy parts or all of the world. The twist, well it turns out that it's "Utopia" (A.J. Langer), who just happens to be the president's disgruntled daughter, who is the one who took the device into the lawless wasteland in the first place and enforcer "Malloy" (Stacey Keach) is determined to get it back, regardless of whether or not she comes back with it. It's a derivative mess, this film. It's rooted in so

6/2/2026

John Carpenter’s anarchic sequel Escape from LA to conservative Escape from NY swaps grim dystopia for gleeful, sleazy chaos, and it’s all the better for it. Snake Plissken (Kurt Russell, still the ultimate anti-hero) is back, this time sent into a crumbling, post-earthquake Los Angeles turned into an island prison. Same gritty premise, but now dripping with dark humor, wild satire, and Carpenter’s signature punk energy. While Escape from NY is colder and meaner, Escape from LA leans into the absurdity and has way more fun with it. The action is inventive, the supporting cast is perfectly bizarre, and the whole thing feels like Carpenter winking at the audience while flipping off Hollywood. But don't worry, Snake Plissken is still the same laid back, cool alpha anti-hero. Both fil