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There's Still Tomorrow

Drama · Comedy

There's Still Tomorrow

The Italian phenomenon.

8.1(1,534) 10/26/2023 1h 58m
DramaComedyHistory

In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life.

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Trailer

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Top Cast

Paola Cortellesi

Paola Cortellesi

Delia

Valerio Mastandrea

Valerio Mastandrea

Ivano

Romana Maggiora Vergano

Romana Maggiora Vergano

Marcella

Emanuela Fanelli

Emanuela Fanelli

Marisa

Giorgio Colangeli

Giorgio Colangeli

Sor Ottorino

Vinicio Marchioni

Vinicio Marchioni

Nino

Alessia Barela

Alessia Barela

Orietta

Francesco Centorame

Francesco Centorame

Giulio

Directed by

Paola Cortellesi

Production

Reviews

CinemaSerf

7/10

5/1/2024

This reminded me of one of those beautifully photographed post-war Vittorio De Sica stories with Sophia Loren. This time, it's the long suffering "Delia" (Paola Cortellesi) who is marred to the brutish "Ivano" (Valerio Mastandrea) and lives with their three children and her ailing father-in-law. The love has long since departed their marriage, and a few fleeting conversations with struggling garage-owner "Nino" (Vinicio Marchioni) fills us in on a bit of her own romantic backstory before she met "Ivano". Their elder daughter "Marcella" (Romana Maggiora Verano) is sweet on "Giulio" (Francesco Centorame) who's the son of a local and rather pompous café owner and his wife. "Delia" suspects, though, that any marriage between the pair would merely end up mirroring her own so resorts to some qui

Brent Marchant

6/10

4/11/2025

Employing an alternative approach in making a statement can be quite a daunting challenge. That’s particularly true when it comes to using humor in conveying an otherwise-serious point. If anything is off kilter in that regard, the message can easily become mixed, obscured or largely lost. Such is the case, unfortunately, with actor-director Paola Cortellesi’s debut feature about women’s empowerment in post-war Italy, a somewhat confusing release that unsuccessfully seeks to fuse humor and drama in examining its subject. Set in Rome in 1946 not long after women acquired the right to vote, the film follows the predominantly dismal life of Delia Santucci (Cortellesi), a working class mother of three who juggles several odd jobs while struggling to cope with a bad marriage to a controlling, e

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