

Drama · Fantasy
Byzantium
Irresistible. Immoral. Immortal.
Residents of a coastal town learn, with deadly consequences, the secret shared by the two mysterious women who have sought refuge at a local boarding house, the Byzantium.
Trailer
Top Cast

Gemma Arterton
Clara Webb

Saoirse Ronan
Eleanor Webb

Sam Riley
Darvell

Jonny Lee Miller
Ruthven

Caleb Landry Jones
Frank

Daniel Mays
Noel

Kate Ashfield
Gabi

Maria Doyle Kennedy
Morag
Directed by
Neil Jordan
Production
Reviews
Reno
8/107/17/2015
> The way I wanted like the old days, great! An Irish vampire movie, thus back to where the vampires were originated. There are no good vampire movies these days, all those are teen target products which are simply a fantasy flick. In the old days, its horror and terrifying ugly giant beasts, the werewolves were, but in the todays movies they are adorable giant wolves. It's either vampire movie or werewolf, the result is same. 'Twilight' or 'Vampire Academy' and others, just not my type, though watch them for entertainment and to keep up-to-date. The reason I watched it is for Saoirse Ronan, because I like her. But Gemma Arterton has been so good like always. To me this is what called a vampire movie. Of course, themes should vary from a movie to another, that does not mean one can c
Tiffany Lynn
9/101/9/2017
With it's beautiful cinematography, steady pace, and understated acting, <i>Byzantium</i> is solid modern Gothic vampire tale. A bit reminiscent of <i>Interview with the Vampire</i> and <i>The Moth Diaries</i>, we see mother and daughter vampire in current day and through flashbacks and storytelling are told of how they came to be and the loneliness of their existence. <i>Byzantium</i> is a slow burn and never takes any drastic chances. It forgoes the cheese of many vampire films and remains melancholy throughout. This certainly won't be for everyone, yet there is definitely something worthy here.
Wuchak
6/102/18/2026
**_Lost Girls on the gloomy coasts of the British Isles_** This comes in the tradition of the director’s “Interview With a Vampire” from eighteen years earlier which, incidentally, was the year the star of this one was born, Saoirse Ronan. Moira Buffini wrote the script using her one-act stage play “A Vampire Story” as inspiration. This lush-but-melancholy film is more explicit, expanding the tale to include the origin story of the two protagonists rooted in a patriarchal vampire order that forbids women from becoming the undead—a rule they break, which sets into motion the central conflict. It’s basically a mixture of “The Lost Boys” and “Bram Stoker’s Dracula” with the general setting of “Tristan + Isolde” (even though that movie is set in 600 AD). Like “Lost Boys,” the bulk of the
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WestEnd Films
Lipsync Productions
Fís Éireann/Screen Ireland










