Supergirl

6/24/2026

Check out my full review @ https://www.manuelsbento.com/supergirl-2026-a-fierce-gritty-cosmic-awakening-hampered-by-familiar-trimmings/ Rating: B- SUPERGIRL is a beautifully gritty, visually striking cosmic adventure anchored by a powerhouse performance from Milly Alcock, who perfectly captures the raw vulnerability and fierce strength of Kara Zor-El. While the film shines brightest when diving into the somber depths of survivor's guilt and features a scene-stealing Jason Momoa as Lobo, it gets dragged down by a bland villain, an inconsistent emotional anchor in Eve Ridley's Ruthye, and incredibly frustrating, mood-ruining needle drops. Still, I found it a highly personal origin story inserted in a space western worth experiencing on the big screen.

6/25/2026

When one watches a movie and leaves the theater wondering who the picture was supposed to be made for, it doesn’t bode well for the film. Unfortunately, that’s very much the case for one of this summer’s most anticipated blockbusters, the latest effort from director Craig Gillespie. So why the confusion over the target audience? It’s simple: this action-adventure superhero release is all over the map, an offering that decidedly feels like it was put together by committee (and probably a marketing/product development committee at that). The picture includes a little of this, a little of that, and, ultimately, a whole lot of nothing. “Supergirl” plays like yet another cookie-cutter release in this genre, except that it also can’t really decide what it wants to be. From what I could tell, thi

6/27/2026

A frustrating mess of a movie that never figures out what it wants to be or who it’s for. The story is paper‑thin and strangely unfocused, drifting from one generic fight scene to the next without any real emotional weight or clear narrative purpose. For a supposed origin film, it does a poor job making Kara Zor‑El feel compelling, coherent, or even particularly likable. Milly Alcock’s take on Supergirl is part of the problem. Instead of giving us a hero with depth or charisma, the film leans into a moody, often inebriated drifter who spends more time sulking in space dive bars and cleaning up after her chaotic dog than actually growing as a character. The attempt to make her “edgy” ends up making her feel shallow and oddly off putting. It doesn’t help that Alcock has publicly gone out

6/28/2026

The online manosphere was attacking this movie online well before it was ever released in theaters. Feels like there is probably significant crossover with the people who bemoaned Barbie & The Little Mermaid. It's an action packed movie with a lot of heart. If this same plot was a Superman movie the dude-bros would be praising it... Don't listen to the chatter. Embrace your individuality and check it out for yourself.

6/30/2026

"Kara" (Milly Alcock) is an unfulfilled soul who revels in a bottle and a battle in equal measure - despite the more restraining attempts at influence from her more famously caped cousin (David Corenswet). That explains why she isn't so very interested in getting involved with "Ruthye" (Eve Ridley) who is on a quest to avenge her murdered family at the hands of the mighty "Krem" (Matthias Schoenaerts). It seems, though, that try as she might she can't shake off this pesky brat and after an altercation of her own with this man as he pinches her spaceship and puts a dart into her beloved pooch "Krypto", she is soon embroiled in a series of escapades across the galaxy seeking the antidote that hangs in an amulet around his neck. All the while, "Lobo" (Jason Momoa) on an huge motor cycle that

7/14/2026

I have to confess I came to "Supergirl" expecting not a lot. General reviews online and on YouTube have, for the most part, not been positive. Starting with the negatives, yes, there's a dash of woke nonsense. That said, it's not overdone, although I strongly feel any and all films are better off without it. On the upside, this is quite an enjoyable romp. The main character of Supergirl is likeably dysfunctional and quirky, traits that follow through in the story and other characterisations. This isn't the "saccharine superman" franchise; it's the grunge, cyberpunk edition. Everyone's a little weird, and it works really, really well. Pacing is on the mark too, with action that's colourful, at times gutterally violent, frenetic and oddly fun. On the subject of which, this film has a