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Hurry Up Tomorrow

Music · Thriller

Hurry Up Tomorrow

Reality lies deeper than you think.

5.0(178) 5/14/2025 1h 45m
MusicThrillerDrama

A musician plagued by insomnia is pulled into an odyssey with a stranger who begins to unravel the very core of his existence.

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Trailer

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Top Cast

Abel Tesfaye

Abel Tesfaye

The Weeknd

Jenna Ortega

Jenna Ortega

Anima

Barry Keoghan

Barry Keoghan

Lee

Riley Keough

Riley Keough

Girl on Voicemail / Mother (voice)

Ash T

Ash T

Doctor

Paul L. Davis

Paul L. Davis

Lavi

Sebastian Villalobos

Sebastian Villalobos

Security

Roman Mitichyan

Roman Mitichyan

Driver

Directed by

Trey Edward Shults

Production

Reviews

r96sk

5/10

5/16/2025

<em>'Hurry Up Tomorrow'</em> isn't a movie that I found any enjoyment in. Jenna Ortega is the only plus for it that I do hold, her performance is solid and the most watchable part of this 2025 release; early on, with the seperated viewpoints, it was like night and day in terms of interest. Barry Keoghan is another star name attached, though his character is quite forgettable; at least until the end. Abel Tesfaye (aka The Weeknd; his latest album serves as the movie's soundtrack) is the film's lead, this is my first time seeing him act and he's alright, I guess, just not all that interesting a role. I do like that musician's major hits, "Blinding Lights" is a banger and its usage here is very good to be fair (probably the standout scene); no use, though, of "Starboy", which is probabl

Manuel São Bento

3/10

5/17/2025

FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/hurry-up-tomorrow-movie-review-fame-depression-and-a-stylistic-blur-of-misfires/ "Hurry Up Tomorrow is one of the most convoluted, frustrating movies of the year. A glaring example of how style can drown substance, and how unchecked artistic ego can turn a potentially compelling work into an exercise in hollow self-indulgence. Despite some undeniable visual qualities and earnest performances from the cast, Trey Edward Shults and Abel “The Weeknd” Tesfaye fall short on all essential fronts: narrative, structure, emotion, and purpose. It's a murky experience that leaves viewers perplexed and distant - a wasted opportunity for everyone involved." Rating: D

CinemaSerf

5/10

5/18/2025

And here was me thinking that “Gen. Klytus” has been impaled on some spikes back in 1980, but no. Here he returns singing some of the songs of “The Weeknd” (a.k.a Abel Tesfaye) in this confused and messy dawdle into the realms of pop star, drug/drink-induced delirium. He’s clearly a man in distress as we discover his girlfriend has dumped him and his rather obsessive manager “Lee” (Barry Keoghan) is only bothered about him getting on that stage. To be fair, when he does the cinema sound of the man’s array of hits does some justice to the impressive light shows but once we get off the stage, we find ourselves in a story that appears to be autobiographical, or semi, anyway. Anyway, one night it all gets too much for him and he determines to get the hell out of dodge - only to spot the young

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