

Documentary
Self-Portrait Along the Borderline
Anna Dziapshipa was born of the union between an Abkhazian man and a Georgian woman. In Self-Portrait Along the Borderline, she skilfully weaves together unique archives and fragments to offer a personal and political biography of Georgia-Abkhazia relations. This vibrant exploration foregrounds a divided identity caught between the margins.
Reviews
SoilentBxd
8/1010/24/2023
An abandoned house in Abkhazia, covered with spider webs. It took a lot of effort to get here, since **Anna Dziapshipa** is not allowed to enter the region, as is usual for Georgians. Since Abkhazia declared itself independent in 1994, there has been mutual distrust. Dziapshipa grew up between the worlds: As the daughter of a Georgian and an Abkhazian, she has been an outsider all her life. In Abkhazia she is considered a Georgian who does not fit in. In Georgian, on the other hand, she is the Abkhazian whose name sounds like an accident (as she tells us later in the cinema). In the film, she gives space to this point by reciting ten versions of "Dziapshipa" with which she was addressed. The correct pronunciation in Georgia is so rare that she can remember each one. The film is a kin
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