

Mystery · Thriller
Dead Again
How many times can you die for love?
In 1949, composer Roman Strauss is executed for the murder of his wife. In 1990s Los Angeles, a detective comes across a mute amnesiac woman who is somehow linked to the Strauss murder.
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Reviews
talisencrw
9/107/6/2016
By far, my favourite film of Branagh's that he's directed. A solid mystery/thriller--the kind that's not done enough these days IMHO. Though he's certainly diversified his oeuvre recently, what with Disney remakes and even superhero films, I wish he had done a lot more like this one, rather than, high-quality as they are, a metric tonne of yet-more Shakespearean adaptations.
DocTerminus
9/102/2/2022
Kenneth Branagh's first film, **HENRY V**, was a critical triumph. But since it was a Shakespeare story, it is overlooked as high-brow. With **DEAD AGAIN** as his sophomore directorial effort, Branagh has a film for the popcorn crowd. If **HENRY V** was tonally like a Laurence Olivier film, **DEAD AGAIN** is tonally like an Alfred Hitchcock movie. Filmed in 2 eras, in both color and black and white, with characters portraying multiple characters, a private eye, reincarnation, a fortune teller even a _femme fatale_ suffering from amnesia! Obviously **DEAD AGAIN** is a suspense thriller of old. The screenplay by Scott Frank - screenwriter of **OUT OF SIGHT**, **GET SHORTY** and **MINORITY REPORT**- is taut and exciting. Branagh's creative use of camera and the thundering musical s
JPV852
6/106/23/2025
Decent enough albeit convoluted as well, but I found it to be watchable and an interesting enough premise, although somewhat weird hearing Branaugh put on an American 'accent'. Nice seeing Robin Williams especially since his name isn't on the front cover. Nothing amazing but still worth checking out. **3.0/5**
CinemaSerf
7/108/9/2026
I couldn't quite fathom the start of this film as PI "Church" (Kenneth Branagh) sports a rather strained American accent yet is hassled by locals for driving on the wrong side of the road. Anyway, after that introduction we learn that he is an expert with missing persons - just ask the freezer-inhabiting lapsed shrink "Cozy" (Robin Williams). Things take a bit of a different turn for the man, though, when he encounters an enigmatic mute woman (Emma Thompson) whose mystery intrigues him. Who is she and what is her story? With the help of his barely defrosted new buddy, he sets about reconstructing elements from her past and that leads to quite an harrowing series of memories involving a post war composer called "Strauss" (KB) who married the impressionable "Margaret" (ET) but who was then h
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