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Yojimbo

Drama · Thriller

Yojimbo

Kill one or a hundred... you only hang once

8.1(1,712) 4/25/1961 1h 50m
DramaThriller

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

Part of the Sanjuro Collection
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Trailer

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Top Cast

Toshirō Mifune

Toshirō Mifune

Sanjuro Kuwabatake / The Samurai

Tatsuya Nakadai

Tatsuya Nakadai

Unosuke, gunfighter

Yōko Tsukasa

Yōko Tsukasa

Nui

Isuzu Yamada

Isuzu Yamada

Orin

Daisuke Katō

Daisuke Katō

Inokichi

Seizaburō Kawazu

Seizaburō Kawazu

Seibê - brothel operator

Takashi Shimura

Takashi Shimura

Tokuemon, sake brewer

Hiroshi Tachikawa

Hiroshi Tachikawa

Yoichiro

Directed by

Akira Kurosawa

Production

Reviews

Andres Gomez

8/10

6/16/2014

Great movie! Akira Kurosawa is just a master movie maker.

CRCulver

9/10

6/5/2018

Akira Kurosawa's 1961 film YOJIMBO is a Japanese period drama where wily strategy is worth just as much as prowess with a sword. In the late Edo era (some decades before its end in 1868) a community is plagued by two opposing gangs who have built up a criminal empire of prostitution and gambling. Even the local officials are on the take. Into this town steps a nameless samurai (Toshiro Mifune). Once they get a taste of his swordsmanship, both sides want to hire him, but he decides to play them off against each other and free the innocent citizens from this evil. In past films Kurosawa had taken advantage of Mifune's ability to produce exaggerated facial expressions of laughter and fear. Here, however, the nameless samurai is completely unflappable, while it is the criminal bosses and co

CinemaSerf

7/10

8/13/2023

I was surprised when I saw this, how late it was set - 19th Century - as I'd always imagined it to be of a more historical nature. That doesn't remotely detract from the story though - as again Kurosawa casts Yoshirô Mifune ("Sanjûrô") in the leading role. Here he is a wandering samurai who arrives in a village torn by strife. His skills are sought by the two opposing headmen and he quite successfully manages to play them off against each other - and keep the peace - until one the their sons arrives, armed with a pistol, and completely alters the balance of power. Mifune is superb as the maverick, thoroughly honourable and at times quite amusing ronin - I was reminded a little of the characterisation by Clint Eastwood in the Sergio Leone films - with a ruthless, violent streak: but somehow

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