

Comedy · Crime
Throw Momma from the Train
Owen asked his friend Larry for a small favor.
Larry Donner, an author with a cruel ex-wife, teaches a writing workshop in which one of his students, Owen, is fed up with his domineering mother. When Owen watches a Hitchcock classic that seems to mirror his own life, he decides to put the movie's plot into action and offers to kill Larry's ex-wife, if Larry promises to murder his mom. Before Larry gets a chance to react to the plan, it seems that Owen has already set things in motion.
Trailer
Top Cast

Danny DeVito
Owen Lift

Billy Crystal
Larry Donner

Kim Greist
Beth Ryan

Anne Ramsey
Mrs. Lift

Kate Mulgrew
Margaret Donner

Branford Marsalis
Lester

Rob Reiner
Joel

Bruce Kirby
Detective DeBenedetto
Directed by
Danny DeVito
Production
Reviews
r96sk
7/106/6/2023
A little all over the place, granted, but I still felt entertained by <em>'Throw Momma from the Train'</em>. Danny DeVito stars in what is his theatrical directorial debut. I chose to watch this because of him being in it, as I want to watch more of his stuff, and he is the film's strongest element, I'd say. Billy Crystal is good too, him and DeVito work nicely together throughout. Anne Ramsey's character annoyed me a lot, I can't lie. I'm actually flabbergasted to read that the performance got Ramsey an Oscar nomination - 1987 must've been a slow year for Best Supporting Actress. No hate for Ramsey though, btw - happy for her! I know Momma is supposed to be annoying, but she's way too far along that particular scale for me. The aforementioned is my only complaint, however. It's a
CinemaSerf
6/101/17/2025
Though she doesn't really feature enough, Anne Ramsey does steal the show with her scenes as the mother whom henpecked son "Owen" (Danny DeVito) wants to chuck from the train! Meantime, stagnating author "Larry" is shouting as the television whilst his ex-wife "Margaret" (Kate Mulgrew) is doing the chat show circuit with a book he claimed to have written. He would cheerfully see her dead, and that's exactly what happens when his student "Owen" takes advantage of a scenario on a luxury yacht. Thing is, he owns up to "Larry" and demands - à la "Strangers on a Train" (1951) - a quid pro quo. "Larry" isn't keen on becoming a murderer though, but having encountered the harridan mother first-hand and having become a police suspect in the demise of his former wife he might find his options limite
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Orion Pictures










