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Ad Vitam

Thriller · Drama

Ad Vitam

6.3(449) 1/9/2025 1h 37m
ThrillerDramaCrimeAction

When he and his pregnant wife are attacked in their home, a former elite agent becomes trapped in a deadly manhunt tied to his own painful past.

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Trailer

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Top Cast

Guillaume Canet

Guillaume Canet

Franck Lazareff

Alexis Manenti

Alexis Manenti

Nico

Stéphane Caillard

Stéphane Caillard

Leo

Nassim Lyes

Nassim Lyes

Ben

Zita Hanrot

Zita Hanrot

Manon

Johan Heldenbergh

Johan Heldenbergh

Vanaken

Etienne Guillou-Kervern

Etienne Guillou-Kervern

Stanislas Lacaze

Jamel Blissat

Jamel Blissat

Homme DGSI 2

Directed by

Rodolphe Lauga

Production

Reviews

MovieGuys

5/10

1/26/2025

"Ad Vitam" follows in the footsteps of many, many other French action crime thrillers but somehow doesn't quite pull it off. The story that occurs briefly in the opening scenes of the film and the final third are what you might expect. Frenetic action, intrigue and spectacle abound. Regrettably, these elements are sandwiched between what amounts to an excess of "cop bonhomie" that's overstated and over long, stealing too much of this films run time. The outcomes a film that feels absurdly short and as a result, more than a little dissatisfying. In summary, decent acting, decent action but let down by an unbalanced script that doesn't seem to know the difference between an action crime thriller and a drawn out police soap opera. A marginal watch.

Dean

5/10

4/13/2026

Ad Vitam is a well-made French action thriller that succeeds in its technical execution but stumbles with its core narrative. Guillaume Canet delivers a raw, believable performance as Franck, and the opening home invasion sequence is genuinely tense and frightening. The film does a great job showing the grit of elite GIGN training, and the practical stunts feel much more grounded than your typical Hollywood blockbuster. However, the "government conspiracy" at the heart of the story is where the movie loses its footing. The idea that the French domestic intelligence (DGSI) would go to such extreme, "dirty" lengths—including kidnapping a pregnant woman and trying to assassinate a former elite serviceman—to cover up a botched robbery feels highly unrealistic. It shifts the movie from a gro

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