

Horror · Science Fiction
The Last House
How long can you survive?
A family suddenly sealed inside their home must work together to survive against dwindling resources and the ominous threat keeping them trapped.
Trailer
Top Cast

Greta Lee
Ann

Wagner Moura
Jason

Riley Chung
Ruth (8 Years Old)

Noah Alexander Sosnowski
Graham (12 Years Old)

Emma Ho
Ruth (13 Years Old)

Gabriel Barbosa
Graham (17 Years Old)

Arden Cho
Adult Ruth

Audrey Anderson
Susan
Directed by
Crew
Production
Reviews
Manuel São Bento
5/108/7/2026
Check out my full review @ https://movieswetextedabout.com/the-last-house-movie-review-louis-leterrier-builds-a-remarkable-house-but-story-misses-its-furnishing/ Rating: C+ THE LAST HOUSE is a film of two very different halves — a sluggish, oddly toneless first hour that squanders a genuinely intriguing premise, followed by a back stretch that finally locates the tension and craft the setup always promised, only to rush its way to an ending more interested in sequel-baiting than resolution. Greta Lee and Wagner Moura are doing real work here, and the fully built, physically degrading house is a legitimate technical achievement that elevates every scene shot inside it, but the script never digs past the surface of its own ideas, leaving genuinely rich thematic territory — isolation, t
Sierbahnn
7/108/9/2026
This movie changes from a psychological drama about isolation to a full-on survivor horror movie and to then pivot into a near cosmic horror story at the very end. It is an interesting transition and one that not many movies could pull off. This one does it because you are invested in the characters and they are so well acted and so well directed that the premise actualizes them rather than diminish them. The adversarial conditions that the characters are placed in are positioned in the story very well and are given enough good effects so that they become quite terrifying. It is not a movie for the ages possibly, but it is certainly good enough to give it a watch.
ugrobug
8/17/2026
At first glance, Leterrier seems to have made a belated pandemic thriller, where the home becomes a prison and isolation feels more terrifying than any alien invader. But dig a little deeper, and the film reveals itself as a story about an inner void that gradually crystallizes amid the constant noise of the information age. News comes and goes, morning headlines are replaced by fresh sensations before nightfall, and we barely notice as the world quietly turns upside down. What begins as a forced digital detox unexpectedly becomes an invitation to rediscover life’s simplest pleasures: playing a board game, watching a movie together as a family (although the selection is rather limited—there are only two films to choose from), or simply ending the evening with a good old-fashioned pillow fi
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Chernin Entertainment
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