"Wuthering Heights"

2/12/2026

Rating: C- Walking into Emerald Fennell's latest venture, I carried a cautious optimism, hoping for a reimagining that justified its existence beyond mere aesthetics. In many ways, WUTHERING HEIGHTS is a triumph of technical artistry; the production design is immaculate, and the costumes offer a masterclass in period detail. Linus Sandgren's cinematography is particularly arresting, utilizing gorgeous silhouettes and immersive visual callbacks that frame the story with a haunting, pristine beauty. When paired with a cathartic, sweeping score from Anthony Willis, the feature's craftsmanship becomes undeniable. However, this film serves as a sobering reminder that technical brilliance cannot salvage a hollow foundation. It's the most recent case against the notion that striking imagery c

2/15/2026

Poking fun at the supposedly sacred can sometimes be a source of perverse glee, particularly when targeted against works of art and literature that many might consider off limits and untouchable. Undertakings like that, however, were made for writer-director Emerald Fennell. As a filmmaker with a reputation for unapologetically telling stories with outrageous narratives, she was the perfect choice for the assignment of skewering Emily Bronté’s classic 1847 novel Wuthering Heights. Long considered one of the best works of English literature, this Gothic romance with a tawdry underbelly has long passed itself off as a respectable piece of writing thanks in large part to the carefully managed protection afforded by literary purists. However, in this latest cinematic adaptation of this time-ho

2/17/2026

Over the top, ridiculously dramatic, and a total blast. I loved this movie and have seen it twice now.

2/18/2026

I’m not sure, with the exception of “Barbie” (2023), that I’ve ever seen a film with Margot Robbie and really understood what all the fuss was about. Even there, that was more to do with Ryan Gosling knowing how to entertain whilst looking good. This time, she relies on Jacob Elordi for that support and if possible, he is even more wooden than her. Sure, he’d look good in a wet shirt contest, but that rather sums up this terribly disappointing adaptation of Emily Brontë’s novel. “Cathy” is the daughter of the wealthy but temperamental “Earnshaw” (Martin Clunes) and ever since she was young has had a close relationship with his ward “Heathcliff”. Thing is, though, as her father is guzzling his way through what little cash they have left she has to think on her feet. Perhaps the newly arrive