The Sound of Music

10/4/2015

One of cinema's most enduring family classics. What can one say about a film that now, as it gears towards its next anniversary of a 50th birthday, is loved and adored by so many? It feels, to me at least, kind of redundant trying to even write a review of it now. So really I just want to say that as a mid-forties cinema loving man I revisited the film recently for the first time in about 15 years and found it still had a magical kind of hold over me. Yes I still think it's too long, but ask me what I would cut out of the film and I'm at a bit of a loss to answer. Over the last thirty years or so it has become something of a focal point for parody, somewhat diminishing the actual film's first time appeal. Then there are the charges of it being hackneyed, but they are misplaced and ve

1/7/2021

Heard great things, got great things. I've said it before, but musicals aren't my favourite genre - I don't dislike them at all, but if I were to rank my favourite genres they would probably be down low. Therefore, I always feel uncertain before watching them, knowing they could go either way. <em>'The Sound of Music'</em>, though, is a delight. As alluded to, I have obviously heard countless positive things about this film down the years so I'm glad it didn't disappoint. Despite a potentially damaging 175 minute run time, it absolutely flew by - superb pacing. I will say the last 30-40 minutes do feel like a possibly unnecessary add-on, but it all still makes for entertaining viewing. How about that soundtrack? So many songs that have seriously passed the test of time in terms of

6/9/2024

The opening scene from this film has been parodied umpteen times, and I think that just goes to show just how impactful Robert Wise's adaptation of the Rodgers and Hammerstein story has been on cinema. The idea that one could have seven children is, frankly, quite terrifying (I have none) so I can readily empathise with poor old Julie Andrews "Maria" as she is despatched from the safety of her nunnery to be the governess to this extended brood in the home of Captain von Trapp (Christopher Plummer). After an initially hostile reception from both father and youngsters alike, "Maria" soon ingratiates herself with all concerned - except, perhaps, for the Captain's beau Eleanor Parker who is wonderfully elegant and aloof as the "Baroness" - and romance gradually takes firm hold. The anschluss i