

War · Action
The Bridge at Remagen
Thus ended the last great German stand in the West.
In March of 1945, as the War in Europe is coming to a close, fighting erupts between German and American troops at the last remaining bridgehead across the Rhine.
Trailer
Top Cast

George Segal
Lt. Phil Hartman

Robert Vaughn
Maj. Paul Krueger

Ben Gazzara
Sgt. Angelo

Bradford Dillman
Maj. Barnes

E.G. Marshall
Brig. Gen. Shinner

Peter van Eyck
Gen. Von Brock

Hans Christian Blech
Capt. Carl Schmidt

Heinz Reincke
Holzgang
Directed by
John Guillermin
Production
Reviews
John Chard
7/103/9/2014
The Amazing Story of March 7, 1945. The Bridge at Remagen is directed by John Guillermin and collectively adapted to screenplay by William Roberts, Richard Yates and Roger O. Hirson from the book The Bridge at Remagen: The Amazing Story of March 7, 1945. It stars George Segal, Robert Vaughn, Ben Gazzara, Bradford Dillman and E.G. Marshall. A Panavision/ De Luxe Color production, music is by Elmer Bernstein and cinematography by Stanley Cortez. Film is a fictionalised account of the battle for control of The Ludendorff Bridge over the Rhine during the tail end of World War II. A war film that’s rich with action and no little intelligence as it views the battle equally from both sides of the warring factions. The bridge is crucial to the war effort to both sides, but for different r
Wuchak
7/109/5/2020
_**Sorta obscure WW2 flick from the late 60s with George Segal and Robert Vaughn**_ As the Allies are about to invade Germany in March, 1945, the Germans decide to blow up the last bridge on the Rhine in the area of Oberkassel, but a dissenting general (Peter van Eyck) convinces a major (Robert Vaughn) to keep it up as long as possible so troops can escape Germany. On the American side George Segal plays a lieutenant, Ben Gazzara a sergeant and Bradford Dillman their commander. "The Bridge at Remagen" (1969) is a WW2 film loosely based on real-life events similar to the later “A Bridge Too Far” (1977), but with a lesser cast, albeit more streamlined and colorful, like the contemporaneous “Castle Keep,” but less artsy and more straightforward. It may not be great like “Where Eagles
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