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The Innocents

Horror · Mystery

The Innocents

Apparitions? Evils? Corruptions?

7.5(677) 11/24/1961 1h 40m
HorrorMysteryDrama

In a mid-19th century Essex country house, a young governess for two children becomes convinced that the house and grounds are haunted by ghosts and that the children are being possessed.

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Trailer

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Top Cast

Deborah Kerr

Deborah Kerr

Miss Giddens

Peter Wyngarde

Peter Wyngarde

Peter Quint

Megs Jenkins

Megs Jenkins

Mrs. Grose

Michael Redgrave

Michael Redgrave

The Uncle

Martin Stephens

Martin Stephens

Miles

Pamela Franklin

Pamela Franklin

Flora

Clytie Jessop

Clytie Jessop

Miss Jessel

IC

Isla Cameron

Anna

Directed by

Jack Clayton

Production

Reviews

John Chard

9.5/10

11/2/2013

The Innocents (1961) Oh willow I die, oh willow I die... Based on Henry James' novel, The Turn Of The Screw, The Innocents is a thoroughly absorbing chiller that pot boils with almost unbearably knowing glee as to what it's doing to the viewer. Deborah Kerr stars as Miss Giddens, the lady hired by Michael Redgrave to act as governess to his young niece and nephew. We find ourselves in Victorian England, out on some country estate at Bly Mansion, where the children are angelic and enchanting in equal measure. Yet there’s an eeriness hanging over this place and it starts to seemingly play tricks on Miss Giddens' mind, she thinks she sees and hears things. It's only when she talks to housekeeper Mrs Grose (Megs Jenkins), that she starts to piece things together, but worryingl

Wuchak

6/10

6/7/2021

_**Low-key Gothic horror with Deborah Kerr**_ A new governess (Deborah Kerr) takes over as nanny of two orphaned siblings at a remote English manor at the turn of the century, but there’s a secretive past to the situation and seemingly ghostly happenings. Pamela Franklin plays the girl. "The Innocents” (1961) is a cinematic version of Henry James 1898 novella “The Turn of the Screw,” shot in B&W. It’s technically well-made and has Gothic mood, but the story is intrinsically one-dimensional, resting on the shoulders of Kerr and essentially only involving three other actors. Like the original tale, there’s ambiguity: Is the governess hallucinating or is she really seeing what she claims? One thing that lends credence to the latter view is the fact that she is able to describe one

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