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The Colditz Story

War · Drama

The Colditz Story

6.8(61) 1/25/1955 1h 34m
WarDrama

The Germans believed that no man could escape from Colditz Castle, set as it was in the heart of the Reich, 400 miles from any neutral frontier. This film, based on Pat Reid's epic novel, tells the story of how the British, French, Dutch and Polish prisoners of war who were incarcerated in Colditz set out to prove their captors wrong.

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Top Cast

John Mills

John Mills

Pat Reid

Eric Portman

Eric Portman

Colonel Richmond

Frederick Valk

Frederick Valk

Kommandant

Denis Shaw

Denis Shaw

Priem

Lionel Jeffries

Lionel Jeffries

Harry Tyler

Christopher Rhodes

Christopher Rhodes

'Mac' McGill

Richard Wattis

Richard Wattis

Richard Gordon

Ian Carmichael

Ian Carmichael

Robin Cartwright

Directed by

Guy Hamilton

Production

Reviews

John Chard

8/10

11/14/2015

Escape from Colditz Castle. Guy Hamilton directs and co-adapts the screenplay with Ivan Foxwell from the P.R. Reid novel of the same name. A story based on actual facts, it stars John Mills, Lionel Jeffries, Bryan Forbes, Anton Diffring, Richard Wattis, Ian Carmichael and Eric Portman. Music is by Francis Chagrin and cinematography by Gordon Dines. The story essentially follows the repeated escape attempts by allied prisoners held at Colditz Castle. It shows the hard luck stories, the bonds that are formed between the men, the regime and day to day life they lived by, and of course it builds to the historical finale. It's structured with great balance by the makers, who manage to wring out a number of tense sequences whilst also ensuring that humour shines brightly. It gives the

CinemaSerf

7/10

11/14/2022

This film does rather play to the stereotypes a bit - the plucky Brits; disorganised French; stoic Dutch and generally enthusiastic Poles - and as such should be treated more as a piece of fact-based entertainment rather than some sort of documentary-style analysis. It does still, however, demonstrate clearly what must have been the feelings of despair and frustration when the gates are heard to close and the prisoners' freedom lies tantalisingly but inaccessibly close. Eric Portman and Lionel Jeffries steal this for me (I always found John Mills just a touch too arrogant and superior). Once the castle is up to full strength and the inmates start to collaborate, this become an excellent showcase for what can be done when there is a will. There is plenty of humour too - the "croque mort" jo

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