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Kiss Tomorrow Goodbye

Crime · Thriller

Kiss Tomorrow Goodbye

Unarmed… He’s dangerous. Armed… He’s lethal.

6.8(48) 8/19/1950 1h 43m
CrimeThriller

Ralph Cotter, a ruthless criminal, escapes violently from a farm prison. Then, he seduces a dead inmate’s sister, gets back quickly into the crime business, faces corrupt local cops who run the city’s underworld and meets a powerful tycoon’s whimsical daughter.

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Top Cast

James Cagney

James Cagney

Ralph Cotter

Barbara Payton

Barbara Payton

Holiday Carleton

Helena Carter

Helena Carter

Margaret Dobson

Ward Bond

Ward Bond

Inspector Charles Weber

Luther Adler

Luther Adler

Keith 'Cherokee' Mandon

Barton MacLane

Barton MacLane

Lieutenant John Reece

Steve Brodie

Steve Brodie

Joe 'Jinx' Raynor

Rhys Williams

Rhys Williams

Vic Mason

Directed by

Gordon Douglas

Production

Reviews

John Chard

8/10

1/8/2019

And you can kiss tomorrow goodbye! Kiss Tomorrow Goodbye is directed by Gordon Douglas and adapted to screenplay by Harry Brown from the novel by Horace McCoy. It stars James Cagney, Barbara Payton, Helena Carter, Ward Bond, Luther Adler and Steve Brodie. Music is by Carmen Dragon and photography by J. Peverell Marley. Ralph Cotter (Cagney), career criminal, escapes from prison and crudely murders his partner during the escape. Hooking up with Holiday Carleton (Payton), the oblivious sister of the slain partner, Cotter quickly gets back into a life of crime and violence. Will his evil deed stay a secret? How long can he keep the corrupt coppers under wraps? And is his "other" romantic relationship with Margaret Dobson (Carter) doomed to failure? Kiss Tomorrow Goodbye seems to

CinemaSerf

7/10

9/6/2022

James Cagney positively oozes malevolence in this gritty and dark thriller. He is "Cotter", a violent man who escapes from prison with the help the rather naive "Holiday" (Barbara Peyton). Pretty soon she is putty in his hands, swiftly followed by a couple of bent cops - and before we know it, he is running quite a successful little crime syndicate with a brand new identity. A chance encounter with the wealthy socialite "Margaret Dobson" (Helena Carter) tantalises the avaricious young man, despite warnings that her father was not a man to be trifled with. Soon, she too is captivated and when he leaves "Holiday" to take up with her, it starts to look much more perilous for all concerned. This story is told by way of a courtroom retrospective, but unusually that doesn't rob the film of much

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