

Crime · Thriller
Kiss Tomorrow Goodbye
Unarmed… He’s dangerous. Armed… He’s lethal.
Ralph Cotter, a ruthless criminal, escapes violently from a farm prison. Then, he seduces a dead inmate’s sister, gets back quickly into the crime business, faces corrupt local cops who run the city’s underworld and meets a powerful tycoon’s whimsical daughter.
Trailer
Top Cast

James Cagney
Ralph Cotter

Barbara Payton
Holiday Carleton

Helena Carter
Margaret Dobson

Ward Bond
Inspector Charles Weber

Luther Adler
Keith 'Cherokee' Mandon

Barton MacLane
Lieutenant John Reece

Steve Brodie
Joe 'Jinx' Raynor

Rhys Williams
Vic Mason
Directed by
Gordon Douglas
Production
Reviews
John Chard
8/101/8/2019
And you can kiss tomorrow goodbye! Kiss Tomorrow Goodbye is directed by Gordon Douglas and adapted to screenplay by Harry Brown from the novel by Horace McCoy. It stars James Cagney, Barbara Payton, Helena Carter, Ward Bond, Luther Adler and Steve Brodie. Music is by Carmen Dragon and photography by J. Peverell Marley. Ralph Cotter (Cagney), career criminal, escapes from prison and crudely murders his partner during the escape. Hooking up with Holiday Carleton (Payton), the oblivious sister of the slain partner, Cotter quickly gets back into a life of crime and violence. Will his evil deed stay a secret? How long can he keep the corrupt coppers under wraps? And is his "other" romantic relationship with Margaret Dobson (Carter) doomed to failure? Kiss Tomorrow Goodbye seems to
CinemaSerf
7/109/6/2022
James Cagney positively oozes malevolence in this gritty and dark thriller. He is "Cotter", a violent man who escapes from prison with the help the rather naive "Holiday" (Barbara Peyton). Pretty soon she is putty in his hands, swiftly followed by a couple of bent cops - and before we know it, he is running quite a successful little crime syndicate with a brand new identity. A chance encounter with the wealthy socialite "Margaret Dobson" (Helena Carter) tantalises the avaricious young man, despite warnings that her father was not a man to be trifled with. Soon, she too is captivated and when he leaves "Holiday" to take up with her, it starts to look much more perilous for all concerned. This story is told by way of a courtroom retrospective, but unusually that doesn't rob the film of much
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Warner Bros. Pictures










