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Shirley Valentine

Romance · Comedy

Shirley Valentine

No one thought she had the courage, the nerve, or the lingerie.

6.3(110) 8/30/1989 1h 48m
RomanceComedy

Wondering what has happened to herself, now feeling stagnant and in a rut, Shirley Valentine finds herself regularly talking to the wall while preparing her husband's chips and egg. When her best friend wins a trip-for-two to Greece Shirley begins to see the world, and herself, in a different light.

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Trailer

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Top Cast

Pauline Collins

Pauline Collins

Shirley Valentine-Bradshaw

Tom Conti

Tom Conti

Costas Demitriadis

Julia McKenzie

Julia McKenzie

Gillian

Alison Steadman

Alison Steadman

Jane

Joanna Lumley

Joanna Lumley

Marjorie Majors

Sylvia Syms

Sylvia Syms

Headmistress

Bernard Hill

Bernard Hill

Joe Bradshaw

George Costigan

George Costigan

Dougie

Directed by

Lewis Gilbert

Production

Reviews

CinemaSerf

7/10

7/3/2022

Willy Russell adapted his own play for this tour de force from Pauline Collins as the bored housewife who spends much of her time at home guzzling wine and talking to the wall before her husband (Bernard Hill) comes home from work for his supper at 6pm prompt! When her friend "Jane" (Alison Steadman) wins an holiday on Mykonos for a fortnight, she invites "Shirley" to accompany her. She initially dithers but luckily a visit from her rather selfish daughter "Millandra" (Tracie Bennett) convinces her to head to the sunshine after all. Her pal doesn't even make it off the plane before she pulls, and so "Shirley" is left to her own devices. She quickly finds a replacement for her wall - a rock (not called Hudson) and it begins to look like she has merely substituted a beach for her kitchen at

kevin2019

8/10

11/1/2024

"Shirley Valentine" is a hugely entertaining film populated by richly layered and vividly drawn characters and fortunately it successfully manages to completely depart from its small scale theatrical roots to become a genuine motion picture treat. It essentially covers the same basic themes as "Educating Rita" (1983) and it is just as successful at doing this the second time around. The central characters of Rita and Shirley are also interesting. The former was about to become stymied by the very life the latter is already wearily trudging through on a daily basis, but they are both women trapped by the monotonous circumstances of their mundane lives and they desperately want so much more to live for in a world that is rapidly passing them by. They are eager to explore their potential as

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