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Metropolis

Drama · Science Fiction

Metropolis

There can be no understanding between the hands and the brain unless the heart acts as mediator.

8.1(3,135) 1/10/1927 2h 28m
DramaScience Fiction

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

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Trailer

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Top Cast

Gustav Fröhlich

Gustav Fröhlich

Freder Fredersen

Brigitte Helm

Brigitte Helm

Maria / The Machine Man

Alfred Abel

Alfred Abel

Johann 'Joh' Fredersen

Rudolf Klein-Rogge

Rudolf Klein-Rogge

C.A. Rotwang

Theodor Loos

Theodor Loos

Josaphat

Fritz Rasp

Fritz Rasp

The Thin Man

EB

Erwin Biswanger

No. 11811 - Georgy

Heinrich George

Heinrich George

Grot

Directed by

Fritz Lang

Production

Reviews

Gurre

10/10

5/31/2014

Metropolis is one of the greatest films ever made. It's amazing set design, brilliant cinematography, groundbreaking special effects and futuristic story truly makes it one of the must-sees in cinema! It is set in the future, in a city called Metropolis where the citizens are divided into two groups: workers (who live under the ground and are working 10 hour shifts by enormous machines that keeps Metropolis working) and the royals (living in luxury in the great city on the surfice). And over them all, is the creator of Metropolis: Joh Fredersen (Alfred Abel). His son Freder (Gustav Fröhlich) falls in love with a woman of the working-class called Maria (Brigitte Helm) who preaches that a mediator will come and create peace and equality for both workers and royals. Joh Fredersen sees Mar

CinemaSerf

8/10

6/6/2022

This has got to be the ultimate cinematic illustration of the strata of human existence. Whether it be a story of the survival of the fittest; the cleverest; the most devious; most beautiful - or a hybrid of some/all - it reflects poignantly how humanity always seeks to exist within a hierarchical structure (merited or otherwise, but perfectly epitomised here by the matriarchal, deific robot), but how much more effectively mankind can succeed if it accepts and values everyone and works together. It also clearly identifies the perennial problem of those with the brain always ending up far more successful, comfortable - and powerful than those who do the labour. Hence, this wonderful tale from Fritz Lang takes us to "Metropolis" - a totalitarian - though not necessarily intentionally malevol

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