

Horror · Action
Planet Terror
Humanity's last hope… rests on a high power machine gun!
Two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry Darling, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend El Wray lead a team of accidental warriors into the night.
Trailer
Top Cast

Rose McGowan
Cherry Darling

Freddy Rodríguez
Wray

Marley Shelton
Dr. Dakota Block

Josh Brolin
Dr. William Block

Jeff Fahey
J.T. Hague

Michael Biehn
Sheriff Hague

Bruce Willis
Lieutenant Muldoon

Rebel Rodriguez
Tony Block
Directed by
Robert Rodriguez
Production
Reviews
Wuchak
5/1010/15/2018
***Black comedy/thriller/horror about biochemically-birthed zombie outbreak in central Texas*** Created by writer/director Robert Rodriguez, “Planet Terror” was originally part of the double feature called “Grindhouse,” released in 2007. The other movie was “Death Proof” by Quentin Tarantino. Both were standalone stories, although vaguely connected. They were a deliberate attempt to recreate the experience of a double feature at a B movie house in the mid/late 60s-70s with the prints intentionally marred by scratches and blemishes or, in this flick, a whole reel supposedly missing. Trailers for fake movies, like “Machete,” were also part of the package. The plot of “Planet Terror” involves a biochemical outbreak in central Texas that (big surprise) turns people into zombies and the
The Movie Diorama
5/101/16/2020
Planet Terror failed to terrorise with its blood-bubble bursting infestation. The first feature of Rodriguez/Tarantino’s homage to the “Grindhouse” exploitation genre, is one that exercises the practical magic of independently produced B-movies. No dramatic theatricality to be seen here, on the misty darkened roads of rural Texas where “Fergalicious” Fergie screams the countryside down whilst being devoured by infected military units. This is Planet Terror, baby. The only quality that matters is the amount of bloodshed that splatters onto the screen. Rodriguez may have directed, produced, written, scored, edited and shot the entire feature, he seemingly tried too hard in replicating the exploitation aesthetic that, if you strip away the grainy filter, comes across as a mildly engaging expe
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Dimension Films
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