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Where Danger Lives

Thriller

Where Danger Lives

Mitchum in Action!

6.4(58) 11/16/1950 1h 22m
Thriller

A young doctor falls in love with a disturbed young woman and apparently becomes involved in the death of her husband. They head for Mexico trying to outrun the law.

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Trailer

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Top Cast

Robert Mitchum

Robert Mitchum

Jeff Cameron

Faith Domergue

Faith Domergue

Margo

Claude Rains

Claude Rains

Mr. Lannington

Maureen O'Sullivan

Maureen O'Sullivan

Julie

Charles Kemper

Charles Kemper

Police Chief

Ralph Dumke

Ralph Dumke

Klauber

Billy House

Billy House

Mr. Bogardus

Harry Shannon

Harry Shannon

Dr. Maynard

Directed by

John Farrow

Production

Reviews

John Chard

7.5/10

6/3/2014

Amour fou. Where Danger Lives is directed by John Farrow and written by Charles Bennett. It stars Robert Mitchum, Faith Domergue, Claude Rains and Maureen O'Sullivan. Music is by Roy Webb and cinematography by Nicholas Musuraca. Upon tending to attempted suicide victim Margo Lannington (Domergue), Dr. Jeff Cameron (Mitchum) falls in love with her and quickly finds his life spiralling out of control. Classic noir fable here, which begs the question on why is it not better known? More so when you consider it stars noir icon and legend Robert Mitchum? OK! Big Mitch never once convinces as a life saving doctor, but for a sad sap heavy eyed portrayal who you gonna call? Why Mitch of course. Thus the pic actually gets away with this odd bit of character casting, as it does the average

CinemaSerf

7/10

3/12/2025

“Cameron” (Robert Mitchum) is a principled young doctor who is summoned to an emergency where he encounters “Margo” (Faith Domergue). She’s fairly unstable, mentally, and promptly escapes from the hospital but next day she invites him to her home. That’s just the start of what becomes a relationship they could result in marriage. That all depends on her wealthy father “Lannington” (Claude Rains) though, and he turns out to be one of those brutishly domineering characters who is quite content to have them wed, so long as he can create such a toxic impression of his daughter beforehand that any sensible man would run a mile. An altercation at his home now ensues and now the pair are faced with a choice. Call the cops or flee. They choose the latter and now we watch a series of near-miss esca

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