A Farewell to Arms

2/8/2018

An Academy Awards Best Picture nominee, this is a very good film that, despite its occasional experimentation and evident striving for greatness, doesn't quite reach the mark it hopes to. Nonetheless, it's unmistakably high quality and remains very watchable, enduringly appealing, and, in places, impressive. The big glaring shortcomings are the experimental moments - which don't work and are distracting - and the fact that Miss Hayes is, much of the time, given over-ripe, unnaturally worded and stagy sounding dialogue to speak - and so much of the time, despite that she does give a fine, clearly talented performance, she does so in stage-performer mode and with "impress them with my craft" line delivery, rather than in the much more subtle and truly naturalistic way that's right for mov

1/1/2024

Frank Borzage presents us here with quite an effectively abridged version of the Hemmingway story of wartime romance. "Frederic" (Gary Cooper) is an American soldier who finds himself in hospital being cared for by nurse "Catherine" (the almost porcelain-like Helen Hayes). Their's is quickly a love story that has to compete with the atrocities of the Great War as he and she are both transferred and it becomes harder for them to communicate and be together. "Frederic" isn't helped by the well meaning interventions of his captain "Rinaldi" (Adolphe Menjou) who ensures that their written correspondence is unanswered - but when "Frederic" learns that a baby is due and that "Catherine" is now in Switzerland, he must rush to her side - even if that means desertion. To be honest the production is