Into the Grizzly Maze

8/13/2019

***Pretty good bear attack flick with James Marsden, Thomas Jane and Piper Perabo*** Several people coalesce in a region of Alaska called the Grizzly Maze where a rogue bear is on the loose: A local man recently released from prison (James Marsden), his ex-girlfriend (Michaela McManus), his estranged deputy brother (Thomas Jane), the deputy’s photographer wife (Piper Perabo), a half-crazy hunter (Billy Bob Thornton), a compromised sheriff (Scott Glenn) and an AmerIndian poacher (Adam Beach). “Into the Grizzly Maze” (2015) is a bear attack movie and, more generally, a wilderness adventure/thriller. When it comes to these types of films “The Edge” (1997) reigns supreme, as does the brooding “Hold the Dark” (2018), although the latter has no bear (actually “The Edge” is only partially

10/18/2019

Bare or Bear Puzzle? Into the Grizzly Maze is directed by David Hackl and written by Guy Moshe and J.R. Reher. It stars James Marsden, Thomas Jane, Piper Perabo, Scott Glenn, Michaela McManus and Billy Bob Thornton. Music is by Marcus Trumpp and cinematography by James Liston. Estranged brothers Rowan (Marsden) and Beckett (Jane) reunite out in the Alaskan wild. They set out into the wilderness to see if they can humanely trap the ferocious grizzly bear that has been savaging the locals. Unfortunately in the pantheon of movies featuring Mother Nature's angry beasts stalking humans, this one is very average. Which considering the cast list is not only something of a shame, it's also surprising. The stock roll call of characters with various hang-ups, disabilities or troubled back

12/12/2023

**Forgettable. Honestly, I even had a hard time not forgetting this film twenty-four hours after seeing it.** Lately, I've seen at least two films in which ferocious wild animals end up becoming the biggest threat to a small group of humans who, innocently or without any ill intention, cross their path. This was one of those films. It brings nothing new or original to a subgenre of horror that, with the growing awareness and awareness of the protection of fauna and natural spaces, tends to become less and less interesting for the public. One of the film's strengths is the technical aspects, in particular the cinematography, which makes the best of Alaska's magnificent natural landscapes. It is not possible to watch this film without feeling a great desire to put on a pair of sturdy b