

Comedy
Carry On Matron
The Carry On team serve up another 'prescription' of hilarious comedy!!!
A gang of thieves plan to make their fortune by stealing a shipment of contraceptive pills from Finisham maternity hospital. They assume disguises and infiltrate the hospital, but everything doesn't go according to plan. The hypochondriac consultant Sir Bernard Cutting, Matron and the doctors and nurses at Finisham have a habit of getting in the way.
Part of the Carry On Collection →Trailer
Reviews
John Chard
7/108/25/2019
The Bun and Oven Wards are open at Finisham Maternity Hospital. The 23rd film in the Carry On series and the fourth (and last) of the medical themed adventures. Sid Carter (Sid James) leads a gang of thieves who plan to break into Finisham Hospital and steal a load of contraceptive pills to sell abroad. But where are they kept? Sid decides to send his son Cyril (Kenneth Cope) in undercover disguised as a nurse... They probably seem like cheap gags now, but much mirth is mined from the scenarios set up by a man undercover as a female nurse. Cue him having to share a room with a foxy babe (Babs Windsor), having to fight off the attentions of the randy Doctor Prodd (a brilliant film stealing Terry Scott) and him getting involved with medical issues he has no idea about (yikes this is a
CinemaSerf
6/107/26/2023
You can tell that the producers were beginning to run out of ideas for these as this hybrid of "Carry on Nurse" (1959) and "Carry on Doctor" (1967) hits the screen. This time Sid James isn't a patient. He is "Carter", audaciously planning to rob the "Finisham" hospital of it's supply of valuable drugs. To facilitate this crime, he decides that his son "Cyril" (Kenneth Cope) should don the garb of a nurse an impersonate one until he can get the lay of the land for their burglary. Meantime, "Dr. Prodd'' (Terry Scott) has the job the philandering bumbler, Hattie Jacques is this time a less ruthless matron and Joan Sims takes the cake as the eternally pregnant "Mrs. Tiday" who is quite happy to eat the place out of house and home while her poor railwayman husband (Kenneth Connor) grows steadil
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