

Drama
Nora Prentiss
Would you keep your mouth shut if you were Nora Prentiss?
Quiet, organised Dr. Talbot meets nightclub singer Nora Prentiss when she is slightly hurt in a street accident. Despite her misgivings, they become heavily involved, and Talbot finds himself faced with the choice of leaving Nora or divorcing his wife. When a patient expires in his office, a third option seems to present itself.
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Top Cast

Ann Sheridan
Nora Prentiss

Kent Smith
Dr. Richard Talbot

Bruce Bennett
Dr. Joel Merriam

Robert Alda
Phil Dinardo

Rosemary DeCamp
Lucy Talbot

John Ridgely
Walter Bailey

Robert Arthur
Gregory Talbot

Wanda Hendrix
Bonita Talbot
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Reviews
Steve
8/106/23/2016
Dr. Richard Talbot is bored with his hum drum life. His life has become routine. He shows up for work at the same time every day then heads home at six o'clock to a passionless wife and two kids. His life is forever changed when he treats a sexy night club singer after hours at his downtown office. First becoming friends, the couple quickly start an affair which eventually leads the previously up-tight Talbot to fake his own death and run off with the woman. Every move Talbot (played by Kent Smith who almost tops his performance is the noir/horror classic Cat People) makes following his decision to run off with Nora just gets him in more trouble. Ann Sheridan playing Nora isn't a femme fatale like you'd expect. Turns out she's the level headed one who tries to stop Talbot from acting like
John Chard
8/107/6/2019
The Man Who Died Twice. Nora Prentiss is directed by Vincent Sherman and collectively written by N. Richard Nash, Paul Webster and Jack Sobell. It stars Kent Smith, Ann Sheridan, Bruce Bennett, Robert Alda and Rosemary DeCamp. Music is by Franz Waxman and cinematography by James Wong Howe. Dr. Richard Talbot (Smith) is fed up of his dull family life. So when pretty nightclub singer Nora Prentiss (Sheridan) calls on him for treatment to a minor injury – his head – and his life – is turned drastically. What did he do? What was he hiding? One of film noir’s devilish delights is that of a filmic entry that finds a protagonist in a fantastical situation. Think of Dark Passage where Bogart has plastic surgery to alter his looks, or The Big Clock which sees Milland investigating himself
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