Amadeus

12/20/2020

_**Lively costume biography about Mozart’s last nine years in Austria**_ Antonio Salieri (F. Murray Abraham) is a competent but mediocre composer in Vienna, Austria, in the late 1700s. He recognizes the God-given genius of the younger Wolfgang Amadeus Mozart (Tom Hulce) and struggles with bitter envy. The story is told in flashback as Salieri shares it with a cleric decades later at an asylum. “Amadeus” (1984) is an entertaining costume drama that successfully takes you back to Vienna from 1783-1791. Mozart was basically the rock star of the era and some of his dynamic music even evokes certain modern rock styles. Giving the main characters personality helps bring the events alive and the flashback structure makes for compelling storytelling. On the feminine front, Elizabeth Ber

1/7/2023

Rarely can I think of a more worthy multi-award winning performance than that from F. Murray Abraham in this masterfully crafted - if entirely speculative - retrospective on the life and times of Wolfgang Amadeus Mozart (portrayed here by the astonishingly effective Tom Hulce). Abraham portrays the duplicitous, envious and malevolent Antonio Salieri, the court composer to Emperor Joseph II of Austria (Jeffery Jones). He is talented, up to point, and settled in his politically influential and wealthy role, but growing up, he has always been aware of this other young boy who can play, perfectly, composing as he goes. Initially in awe of this man's predigious talent, it isn't long before the green eyed monster starts to rear it's ugly head, and jealousy soon starts to drive his every waking m