

Horror · Fantasy
The Gorgon
A venture into the deepest, starkest realms of the supernatural...
In the early 20th century a village experienced a series of inexplicable murders. All the victims were young men who had been turned to stone. The perpetrator of these deaths was a being so repulsive that she transformed the onlooker using the power of her deadly stare. Much of the time the creature took the form of a beautiful and seductive woman, but during periods of the full moon she becomes a living horror, vicious and deadly. A professor has come to investigate the deaths, bringing with him his beautiful assistant whose knowledge of the Gorgon is more intimate than anyone would ever realise.
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Reviews
John Chard
7/104/1/2014
One of Terence Fisher's most undervalued films. "Overshadowing the village of Vandorf stands the Castle Borski. From the turn of the century a monster from an ancient age of history came to live here. No living thing survived and the spectre of death hovered in waiting for her next victim." Directed by Terence Fisher for Hammer Film Productions, The Gorgon stars Peter Cushing, Christopher Lee, Barbara Shelley and Richard Pasco. Photography is by Michael Reed, the design courtesy of Bernard Robinson and the unique score is by James Bernard (he blended Soprano with a Novachord). Very much a bit off kilter in terms of classical Hammer Horror, The Gorgon sees Hammer turn to Greek Mythology for its latest instalment. The key issue here is that The Gorgon should be viewed more as a doom
Wuchak
10/31/2019
***Medusa’s sister is loose in post-Victorian Germany!*** The spirit of one of the three Gorgon sisters from Greek mythology is terrorizing a German village in the early 1900s. A doctor (Peter Cushing) seems to be in denial about the supernatural element of the mounting deaths in the last seven years, but a professor from out of town has no qualms about finding the truth (Christopher Lee). Barbara Shelley plays the doctor’s assistant while Richard Pasco is on hand as a subordinate to the professor. "The Gorgon" (1965) is cut from the same gothic horror cloth as other Hammer flicks of the era, like “Dracula, Prince of Darkness” (1966), “Frankenstein Created Woman” (1967) and “Frankenstein Must be Destroyed” (1969), as well as similar non-Hammer movies, like Corman & Coppola’s “The Te
Sierbahnn
7/105/5/2026
There's a reason Hammer was such a powerhouse in its time. With a cast that draws from both character actors and established stars, a plot that works, with engaging characters and good direction, it comes off grand. The effects are of the 60s, and you can't expect more, but for their time they are more than just average, and are used very well. Overall this is just a very solid Hammer movie, and one I can greatly recommend.
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