

Science Fiction · Horror
Die, Monster, Die!
No one can stop this killing machine....It's Already Dead!!!
A young man visits his fiancé's estate to discover that her wheelchair-bound scientist father has discovered a meteorite that emits mutating radiation rays that have turned the plants in his greenhouse to giants. When his own wife falls victim to this mysterious power, the old man takes it upon himself to destroy the glowing object with disastrous results.
Trailer
Top Cast

Boris Karloff
Nahum Witley

Nick Adams
Stephen Reinhart

Suzan Farmer
Susan Witley

Freda Jackson
Letitia Witley

Terence de Marney
Merwyn

Patrick Magee
Dr. Henderson

Sheila Raynor
Miss Bailey

Harold Goodwin
Taxi Driver
Directed by
Daniel Haller
Production
Reviews
Wuchak
5/105/17/2018
Some highlights, but mostly tedious RELEASED IN 1965 and directed by Daniel Haller, "Die, Monster, Die" (aka “Monster of Terror”) is a semi-Gothic horror about a young man (Nick Adams) who travels to the estate of his fiancé (Susan Farmer) in England. Unfortunately, her wheelchair-bound father (Boris Karloff) is curiously curmudgeonly and something strange is going on behind the scenes. The movie is based on HP Lovecraft’s story "The Colour Out of Space." While this isn’t a vampire flick, the opening is reminiscent of Dracula (young man visits old man’s eerie chateau). I used to get this mixed up with “The Terror” (1963), probably because of Karloff, similarities in the plot, and they both came out in the early/mid-60s. Regrettably, “Die, Monster, Die” lacks the haunting fascination
CinemaSerf
5/109/5/2024
American "Reinhart" (Nick Adams) arrives in a small English village seeking the home of his girlfriend "Susan" (Susan Farmer). Shunned by the villagers, he must walk to the stately pile of her wheelchair-bound father "Naham" (Boris Karloff) whereupon things begin to become mysterious for the young visitor as he tries to find out what secrets are being kept hidden. The problem with this is that - well - nothing much actually happens. There is a very slight sense of menace, but there is nothing much by way of accumulation to that. Something is glowing in the greenhouse, and there is a rather angry woman clad in black; but for the most part we can easily guess what is going on, going to happen and the ending is straight out of the ABC of horror films set in a big house. It's well enough made,
Sierbahnn
6/105/9/2026
Lovecraftian sci-fi This is all very Lovecraftian, and they do credit him for the story. They lifted elements from several stories, but the 'Color out of space' is the primary one. The plucky American can sort it out through, surely. The mention of cults and things don't get explored to any noticeable degree, and this is more sci-fi horror than cosmic horror, but still with a Lovecraftian vibe. It is a lovely little movie.
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American International Pictures










