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A Tree Grows in Brooklyn

Drama

A Tree Grows in Brooklyn

Each heart-warming character comes alive on the screen!

7.5(107) 2/28/1945 2h 8m
Drama

In Brooklyn circa 1900, the Nolans manage to enjoy life on pennies despite great poverty and Papa's alcoholism. We come to know these people well through big and little troubles: Aunt Sissy's scandalous succession of "husbands"; the removal of the one tree visible from their tenement; and young Francie's desire to transfer to a better school...if irresponsible Papa can get his act together.

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Trailer

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Top Cast

Dorothy McGuire

Dorothy McGuire

Katie Nolan

Joan Blondell

Joan Blondell

Aunt Sissy

James Dunn

James Dunn

Johnny Nolan

Lloyd Nolan

Lloyd Nolan

Officer McShane

James Gleason

James Gleason

McGarrity

Ted Donaldson

Ted Donaldson

Neeley Nolan

Peggy Ann Garner

Peggy Ann Garner

Francie Nolan

Ruth Nelson

Ruth Nelson

Miss McDonough

Directed by

Elia Kazan

Production

Reviews

barrymost

10/10

9/4/2019

This is the charming adaption of Betty Smith's acclaimed novel. It's both heartwarming and heartbreaking. The acting is riveting all the way around, and this is one of those rare times when everyone is perfectly cast. But particularly Peggy Ann Garner and James Dunn, both of whose careers, interestingly and unfortunately enough, were failing within the next decade. They act marvelously well together, as the bright young daughter and her kindly, imaginative, but tragically alcoholic father. I nearly cried a few different times during this movie, and if you have a heart, you'll probably get pretty close to tears as well.

CinemaSerf

7/10

3/2/2025

At the turn of the 20th century, the Nolan family eek out a living in New York. Mum “Katie” (Dorothy Maguire) is trying to raise impressionable daughter “Francie” (Peggy Ann Garner) and son “Neeley” (Ted Donaldson) whilst their well meaning but dipso entertainer of a father (James Dunn) struggles to make a living then hits the bottle when he does or doesn’t find work. The there’s the lively aunt “Sissy” (Joan Blondell) who seems prone to marry men called “Bill” - even if that isn’t actually his name at all, and whom “Katie” thinks is too much of a free-thinking abad influence on her children. When a third baby looms large, the pressure starts to increase on not just the couple but on their children who are already pretty adept at finding ways to raise the odd cent or two - and the bright a

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