Manhattan Night

10/14/2016

**Ending up solving mysteries between two people risking his own family.** The film was based on the book named 'Manhattan Nocturne'. Excellently made film, it's the director's first feature film as well. He did not get the top actors, but these actors were the good ones. Adrien Brody and Yvonne Strahovski were amazing their respective roles. It was not a detective story, but very close to being one. So if you love crime-mysteries, then you should try this. The tone of the film makes very interesting. It's not about the question of story prediction, but how cleverly it was advanced like the characters were transformed compared to the opening and the conclusion. Some films open strongly, but ends poorly. In this case, the opening was average, but ended on a high. The main reason is th

11/18/2018

Tell me the horse story! Manhattan Night is directed by Brian DeCubellis and DeCubellis adapts the screenplay from the novel Manhattan Nocturn written by Colin Harrison. It stars Adrien Brody, Yvonne Strahovski, Jennifer Beals, Campbell Scott, Linda Lavin and Steven Berkoff. Music is by Joel Douek and cinematography is by David Tumblety. A New York journalist finds himself in a web of intrigue and passion when a woman asks him to investigate the mysterious death of her film director husband. How wonderful to find that in this day and age there are still film makers willing to push film noir in its neo form up front and central. Of course the trick is knowing your staple requirements of what would be termed "pure noir", and of course noir in colour form is never going to be accepte

9/5/2022

"I'm always running to the place where something bad just happened," narrates Porter Wren (Adrien Brody) at the beginning of Manhattan Night, which explains his presence in this faux noir. Porter is a columnist for a New York periodical; “I used to think that my stories could make a difference. Now I just hope they are enough to feed my family.” Unless they actually eat the newspaper after reading it, I highly doubt that a meager column could support a family of four — or, for that matter, a single person (unless that person is J.J. Hunsecker, and Porter most certainly isn’t). Thus, when Porter calls his Manhattan home a "miracle," the only miraculous thing about it is that he can afford it on a columnist's salary. Although his surgeon wife Lisa (Jennifer Beals) is presumably the o