

Drama · Comedy
Meet John Doe
All America wants to meet the “Mr. Deeds” of 1941!
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
Trailer
Top Cast

Gary Cooper
Long John Willoughby

Barbara Stanwyck
Ann Mitchell

Edward Arnold
D.B. Norton

Walter Brennan
The Colonel

Spring Byington
Mme Mitchell

James Gleason
Henry Connell

Gene Lockhart
Mayor Lovett

Rod La Rocque
Ted Sheldon
Directed by
Frank Capra
Production
Reviews
John Chard
9/104/7/2019
The meek can only inherit the earth when the John Doe's start loving their neighbours. After crafting Mr. Deeds Goes to Town and Mr. Smith Goes To Washington for Columbia, Capra quit and made this third film about an average Joe who is thrust into a powerful world where exploitation is high on the agenda. Thus, in true Capra style the story unfolds to a customary flip flop triumph. Ann Mitchell (Barbara Stanwyck) is a struggling journalist who gets fired from her newspaper job by new editor Henry Connell (James Gleason). By way of venting her frustrations she writes in her stinging last article about a man called John Doe who is tired of being pushed around and held back by the big bosses. She finishes the piece by claiming that Doe will commit suicide on Christmas Eve by leaping of
CinemaSerf
7/106/6/2025
Anyone else think there is a shade of “Mr. Smith Goes to Washington” (1939) about this? Journalist “Ann” (Barbara Stanwyck) is shown the door when a new owner decides to sack just about everyone at the paper she works at, but as a parting shot she creates a letter that suggests that a hapless member of the public - one “John Doe” - is so fed up with his lot that he intends to commit suicide from the city hall on Christmas Eve. The article attracts lots of attention and so she hits on the idea of keeping her job and creating a real person. Enter Gary Cooper, an itinerant man with few prospects, no commitments and an interest in making a quick buck. Immediately, he strikes a chord with the working people of the city and seems to inspire the aspirational with a character that is fictional in
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