The Swimmer

6/3/2023

"Ned" (Burt Lancaster) has been away for a while so his neighbours are a bit surprised to see him, clad only in his trunks, swimming in their pool. After some chat with them, he discovers that barring the odd bit of terrain to cross, he can pretty much swim his way home through the pools of other neighbours/friends/acquaintances - a river and even a public lido... The film now follows him as this rather unique journey introduces us to his community, and to his own interesting, complicated and lively backstory. I could run to all sorts of amateur psychology about my understanding of what each stop means to him; to those with whom he stops, and to those of us watching - for the adaptation of the pretty depressing Cheever short story would certainly indulge that; but I felt this was more of a

6/16/2024

**_Offbeat parable of self-discovery on the collapse of the “American dream”_** A somewhat confused man in swimming trunks (Burt Lancaster) travels from pool to pool in suburban Connecticut on his way home. Some of the people he comes across are played by Janet Landgard, Janice Rule, Joan Rivers and Diana Muldaur, amongst several others. "The Swimmer" (1968) is a semi-surreal commentary on mid-60’s America and the emptiness of materialism, as well as self-destruction. The fact that Ned Merrill (Lancaster) is almost naked throughout the film tells all. But the revelations are lowkey; you have to put the pieces together. I liked the insights on the folly of compulsiveness, whether social, youth-obsession, sexual or self-delusion. It’s an immersion into a struggling man’s soul. The

4/6/2026

Burt Lancaster referred to this film as ""**'Death of a Salesman'** in swimming trunks,"" and that's not a bad characterization. You could also think of it, in many ways, as ""**'American Beauty'** in the late 1960s."" This movie came out nine years after the original **'Twilight Zone'** series aired, and it would have made an interesting episode. As a movie, it lasts a little too long, is fairly melodramatic, and has some weirdly filmed scenes. Were they going for psychedelia? One scene in particular, where Lancaster simply crosses a busy highway, is just crazy with canted camera angles and weird zoom and blur shots. But one could argue that it helps build the dreamlike (or nightmare) quality upon which this story depends. I am beginning to suspect that Burt Lancaster created