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12 Angry Men

Drama

12 Angry Men

It explodes like 12 sticks of dynamite!

8.6(10,143) 4/10/1957 1h 37m
Drama

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

Play Trailer

Trailer

Top Cast

Martin Balsam

Martin Balsam

Juror 1

John Fiedler

John Fiedler

Juror 2

Lee J. Cobb

Lee J. Cobb

Juror 3

E.G. Marshall

E.G. Marshall

Juror 4

Jack Klugman

Jack Klugman

Juror 5

Edward Binns

Edward Binns

Juror 6

Jack Warden

Jack Warden

Juror 7

Henry Fonda

Henry Fonda

Juror 8

Directed by

Sidney Lumet

Production

Reviews

Andres Gomez

10/10

5/13/2013

Master piece. Fantastic script and evolution of the characters.

John Chard

9/10

3/29/2020

Unlikely, but it is possible. 12 Angry Men is directed by Sidney Lumet and adapted from a teleplay of the same name by Reginald Rose. The cast is headed by Henry Fonda and Lee J. Cobb. The film tells the story of a jury made up of 12 men as they deliberate the guilt or innocence of a defendant on the basis of reasonable doubt. Except for two short scenes at the beginning and end of the film, it's filmed entirely on one set, that of the jury deliberation room. Sweaty, gritty, claustrophobic - all words that sit snugly in the context of Lumet's excellently crafted deconstruction of 12 men trying to arrive at one verdict in the case of a Puerto Rican youth on trial for the murder of his father. The evidence appears overwhelming, there's witnesses, a murder weapon and motive, the boy is

barrymost

10/10

12/6/2021

Jurors: Martin Balsam John Fiedler Lee J. Cobb E.G. Marshall Jack Klugman Edward Binns Jack Warden Henry Fonda Joseph Sweeney Ed Begley George Voskovec Robert Webber 12 jurors deliberate on the guilt or innocence of a young Spanish-American man accused of murdering his father. As the moments tick by, the discussion becomes an expose of each individual man's thoughts, feelings, prejudices, and secrets. This is Fonda at his best, backed up with excellent support from all 11 of his fellow jurors. Lee J. Cobb is also a standout. Crackling script by Reginald Rose, with superb direction by Sidney Lumet. Full of memorable moments and great dialogue and character development; this is one of the greatest courtroom dramas this reviewer has ever seen.

AstroNoud

9/10

3/11/2022

A timeless classic in which the characters really come to life. Slowly exposing each man's thoughts, personalities and prejudices, ‘12 Angry Men’ isn't really about solving the crime, but about the power of reasoning, discussion and dialogue. 9/10

Krakatoa69

10/10

12/18/2022

Unassuming. This is the first impression one may have, upon reading what this movie is about: 12 jurors deliberate about a murder case, where the accused suspect is the victim's son, a 18 y.o. boy. They must reach a unanimous verdict of guilty or innocent. As it starts, it seems pretty much set, and everybody appears sure of the boy's guilt, except for one man. "How can someone still have doubt, when so many (incl. more experienced jurors) are so sure?". What follows is an exciting and carefully constructed script of more deeply detailed observation and reason-based discussions, often derailed by outburst of anger and impatience, as apparently firm evidence succumb to a more thoughtful and impartial analysis. Ultimately, not all is what it seems - specially true regarding *all* the j

CinemaSerf

8/10

4/17/2023

Twelve jurors are sent to their deliberating room after hearing the evidence in a murder trial. It's potentially the hottest day of the year as this collection of white, male, individuals take their seats around the table and wait for foreman Martin Balsam - none of the characters have names, here - to call them to order. A first vote is in order - it's a slam dunk - the accused is obviously guilty - 11-1! Henry Fonda is the dissenter. What has he seen that the others missed? What has he not seen that the others have understood? What now ensues is one of the best written and characterised, compelling, dramas cinema has ever produced. Excellent efforts from Lee J. Cobb, in particular, but from all concerned allow the tension to positively leap from the screen at us. This story gradually fil

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