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Lady Macbeth

Drama

Lady Macbeth

6.6(823) 12/12/2016 1h 26m
Drama

Rural England, 1865. Katherine, suffocated by her loveless marriage to a bitter man and restrained by his father's tyranny, unleashes an irresistible force within her, so powerful that she will stop at nothing to get what she wants.

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Trailer

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Top Cast

Florence Pugh

Florence Pugh

Katherine Lester

Cosmo Jarvis

Cosmo Jarvis

Sebastian

Paul Hilton

Paul Hilton

Alexander Lester

Naomi Ackie

Naomi Ackie

Anna

Christopher Fairbank

Christopher Fairbank

Boris Lester

Golda Rosheuvel

Golda Rosheuvel

Agnes

AP

Anton Palmer

Teddy

Rebecca Manley

Rebecca Manley

Mary

Directed by

William Oldroyd

Production

Reviews

Reno

7/10

2/4/2018

**There's no one to stand against her!** Based on the Russian novel of the same name. My first guess was it going to be a boring periodic drama. After knowing about the film plot, I anticipated a storyline just like 'Moliere', but what I saw was a dark and twisted tale. I was really surprised to see a film like this. Enjoyed it though. This is not a good film from the moral value aspect. But film is a film, sometimes it just depicts the real life, even it is a fictional, surely it would have had taken place without the world knowing it. Katherine, aka Lady Macbeth, a newly married young woman, but that's not an ideal life any couples want to live. Discarded by her husband, she finds a secret lover among the staffs of the house to satisfy her sexual urges. As expected, it does not go

CinemaSerf

7/10

4/20/2024

Florence Pugh is quite effective in this story of "Katherine", trapped in a loveless and sterile marriage with "Alexander" (Paul Hilton) who, with his father "Boris" (Christopher Fairbanks) treat her with a mixture of tolerance and contempt. The solution to her insatiety looks like it might come from their swarthy farm hand "Sebastian" (Cosmo Jarvis) and when the husband has to leave for an extended time, she discovers a sense of happiness and fulfilment that disbars any thoughts of returning to her former life of obedience and boredom - regardless of how dangerous that may be. This has nothing whatsoever to do with the Scottish play, nor with any of it's characterisations so don't expect any similarities - beyond the fact that "Katherine" soon emerges from her fragile cocoon to become a d

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