The Post

1/31/2018

Firing on all Oscar-bait cylinders, _The Post_ is much more about the facts of the events than an insight into the people involved in them. It has some laughs in it, but it's far from a comedy. It's all "what" and no "why", but also, _The Post_ is built on this HUGE will-they-wont-they question with massive ramifications ("Will Nixon and LBJ be exposed") and it's what the whole 108 minute runtime is building up to, but... We already know. The things that happen in _The Post_ are real events that are common knowledge. So it's kind of... The mystery of the moral quandary was answered before you ever pressed play. I think with the state of journalism and even more so the state of politics the way it is now in America, that _The Post_ was a very timely film, and with a cast like this assemb

10/7/2018

The movie is very interesting and clearly very curated in the cast and scenography. It tells an important piece of American history and is an ode to press freedom. However, I found it rather slow in development and a bit too lost in too many conversations. Lacks a bit of action/movement.

5/8/2023

**An ambitious film, very solid and with a lot of quality, but which turned out to be forgettable.** I've honestly lost count of the movies about Nixon I've seen. And I understand that! In the history of the American presidential institution, few presidents have stirred up as much controversy. He was a president who not only was willing to use his whole power, but also who abused from its use. And the media was one of his biggest and most fearsome enemies. In this film, the point of originality is that the focus is never Nixon or Watergate, but the main figures of The Washington Post in the days before the scandal, when it was sued by the White House. It's not that kind of surprising originality, but it's enough. The script has its flaws, one of which is perhaps the attempt to insert

5/29/2024

This is essentially a film about the freedom of the press - and how that terrifies even the most "democratic" of institutions. Disillusioned military analyst (Matthew Rhys) discovers the extent to which the US military had been misleading the government and population about the Vietnam War and takes some sensitive information to the Washington Post (initially, this is more about who gets the scoop - them or the New York Times) but rapidly the Post - edited by Ben Bradlee (Tom Hanks) decides it must get there first and with the support of it's ballsy publisher Kay Graham (Meryl Streep) they take on the political and judicial establishment to win the right to publish their story. The performances, under Steven Spielberg's direction, are fine - nothing much to write home about. The film is ab