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Hell Drivers

Thriller · Drama

Hell Drivers

Roaring Down the World's Deadliest Roads!

6.7(67) 7/23/1957 1h 48m
ThrillerDramaCrime

An ex-con trying to go clean ends up working for a crooked trucking company swindling money.

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Top Cast

Stanley Baker

Stanley Baker

Tom Yately

Herbert Lom

Herbert Lom

Gino Rossi

Peggy Cummins

Peggy Cummins

Lucy, Hawlett Trucking Secretary

Patrick McGoohan

Patrick McGoohan

C. 'Red' Redman

William Hartnell

William Hartnell

Cartley, Hawlett Manager

Wilfrid Lawson

Wilfrid Lawson

Ed, Hawlett Mechanic

Sidney James

Sidney James

Dusty, Truck Driver

Jill Ireland

Jill Ireland

Jill, Pull In Waitress

Directed by

Cy Endfield

Production

Reviews

John Chard

9/15/2019

Unless I'm pushed that is. Ex-convict Tom Yately snags himself a job driving for haulage company Hawletts. The drivers are paid per trip, something that spurs the men on to drive faster and be more reckless than your average employee. Making few friends at Hawletts, Tom uncovers shifty dealings between brutal foreman, Red, and Hawletts manager, Cartley. Something that ups the stakes considerably more as Tom and Red clash on and off the road. A true British hard boiler is Hell Drivers, a pic that is chocked full of machismo. Who would have thought that a film about lorry drivers transporting gravel could be so exciting? Directed by Cy Endfield (Zulu), Hell Drivers has something of the quintessential working class about it, which is good to see and is no bad thing at all. Gritty in tex

CinemaSerf

7/10

11/12/2022

Stanley Baker is at the top of his game in this drama. Recently released from prison, "Tom" struggles to find decent work until he alights on an haulage company run by "Cartley" (William Hartnell) who doesn't care so much about formalities and history, just about deliveries - the more and quicker the merrier. He joins a disparate group of colleagues where he befriends "Gino' (Herbert Lom) and antagonises the head honcho "Red" (Patrick McGoohan). As the story develops, he and the latter man become more and more competitive with increasingly perilous consequences. Cy Endfield and Geoffrey Unsworth work well together to create an intense and well photographed story of a rivalry that is lively and mobile for most of the film. Whilst some of that is a little repetitive, we are still moving at w

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