

Documentary
Hearts of Darkness: A Filmmaker's Apocalypse
The magic and madness of making Apocalypse Now
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Trailer
Top Cast

Francis Ford Coppola
Self

Eleanor Coppola
Self

John Milius
Self

George Lucas
Self

Sam Bottoms
Self

Albert Hall
Self

Frederic Forrest
Self

Laurence Fishburne
Self
Directed by
George Hickenlooper
Production
Reviews
CRCulver
6/109/5/2018
Francis Ford Coppola's film <i>Apocalypse Now</i> was one of the most infamously troubled productions in the history of Hollywood, so resonating in collective memory that it can still be parodied in new-millennium like <i>Tropic Thunder</i>. A typhoon struck the set in the Philippines, local officials were difficult to work with, Martin Sheen had a heart attack during filming, and Coppola was constantly troubled how to bring his script to a powerful ending. The 1991 documentary <i>Hearts of Darkness: A Filmmaker's Apocalypse</i> chronicles these trials and tribulations through audio recordings that Coppola's wife Eleanor made for her filming diary, informal footage of life on the set and interviews with cast and crew. If all <i>Hearts of Darkness</i> did was rehash the same general triv
Wuchak
9/108/1/2019
***Outstanding documentary on the making of the hallowed "Apocalypse Now"*** Released in 1991, "Hearts of Darkness: A Filmmaker's Apocalypse" chronicles the making of 1979's "Apocalypse Now," combining footage shot by Eleanor Coppola during the shooting of the film with more recent interviews with the cast & crew. Documentaries or commentaries on how a particular film was made don't interest me because I'm not a filmmaker and only care about the final product. As a writer and former musician I'm familiar with the creative process and understand how some ideas fail to deliver the goods and must be thrown out, etc. As an example, I heard some demos of a couple of my favorite songs and they were lousy compared to the final product and almost ruined my view of those songs. This explains
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