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The Quiller Memorandum

Thriller · Drama

The Quiller Memorandum

He played the most dangerous game in Europe, and he played it alone.

5.9(88) 11/10/1966 1h 44m
ThrillerDramaCrime

After two British Secret Intelligence Service agents are murdered at the hands of a cryptic neo-Nazi group known as Phoenix, the suave agent Quiller is sent to Berlin to investigate.

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Top Cast

George Segal

George Segal

Quiller

Alec Guinness

Alec Guinness

Pol

Max von Sydow

Max von Sydow

Oktober

Senta Berger

Senta Berger

Inge Lindt

George Sanders

George Sanders

Gibbs

Robert Helpmann

Robert Helpmann

Weng

Robert Flemyng

Robert Flemyng

Rushington

Peter Carsten

Peter Carsten

Hengel

Directed by

Michael Anderson

Production

Reviews

John Chard

6/10

3/27/2016

Oktober, and the trees are stripped bare. The Quiller Memorandum is directed by Michael Anderson and adapted to screenplay by Harold Pinter from the novel "The Berlin Memorandum" written by Elleston Trevor. It stars George Segal, Alec Guinness, Max von Sydow and Senta Berger. Music is by John Barry and cinematography by Erwin Hillier. There's no frills and graces about The Quiller Memorandum, it follows a straight spy drama narrative that pitches Segal (excellently cool) into Berlin to unearth the location of some Neo-Nazis. He gets involved with the sensual Berger whilst battling his wits with an insidious Sydow. Location photography is pleasing, as is the swirly score, but even though there's a nice ambiguity to the finale, there's a feeling of disappointment that actually not a gr

CinemaSerf

6/10

9/2/2024

Unfortunately, time hasn't been very kind to this rather stilted cold war thriller. When two British agents are found dead in Berlin, it falls to "Quiller" (George Segal) to track down the elusive "Oktober" (Max von Sydow) before he gets his own comeuppance. The cat and mouse game is actually quite well executed - both sides desparate to find the location of the other's secret headquarters, and to establish whom is working for their enemies, but sadly Michael Anderson just can't quite elevate the film above a rather statically paced affair. Segal is efficient, but hardly charismatic and even Alec Guinness and the usually dependable George Sanders don't really inject much of a sense of menace. Too much of the jeopardy is just a little too contrived, and though it is does move along well eno

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