Apostasy

5/14/2019

**_Powerful film-making_** > _It is not wrong to be loyal to the righteous and just God of the Bible. He tells us that he will accept "in his holy mountain" only those who walk faultlessly, practice righteousness and speak truth (Ps. 15). If, though, a Christian were to throw in his lot with a wrongdoer who has been rejected by God and disfellowshipped, or has disassociated himself, that would be as much as saying "I do not want a place in God's holy mountain either." If the elders saw him heading in that direction by regularly keeping company with a disfellowshiped person, they would lovin__gly and patiently try to help him to regain God's view (Matt. 18:18; Gal.6:1). They would admonish him and, if necessary, "reprove him with severity." They want to help him remain "in God's holy mou

5/19/2021

This movie is a slow burner, more thoughtful and moody than dramatic and explosive. I wouldn’t advise watching it on two hours’ sleep or while on an adrenaline high (unless you want to calm down). I have always liked Siobhan Finneran, and she doesn’t disappoint here. SHe gives a muted performance, no doubt as written and directed. After all, she plays a woman who is oppressed by the cult she belongs to. Even when she questions her role it seems like she is almost doubting her faith more than she is the beliefs their version of iron age religion dictates. The actresses playing her two daughters also do a great job. One of them embraces the Jehovah’s Witness brand of dogma while the other questions it, all without letting the difference come between them unless forced. When you get pas

11/23/2024

Siobhan Finneran really does turn in an effective performance as the mother "Ivanna" in his skin-crawlingly toxic drama that depicts a close family of Jehovah's Witnesses. She has two daughters who enthusiastically spend time trying to spread the word of God (in Urdu, frequently) amongst their community going from door-to-door. Quickly, we learn that "Alex" (Molly Wright) is not doing so well, and that there are issues about a life-saving blood transfusion that conflict profoundly with the family's faith. Her sister "Luisa" (Sacha Parkinson) adds to the complications when she announces that she's expecting a child with her boyfriend - and he's not in the congregation nor are they married. The expected tragedy duly ensues and this seriously tests the faith of "Luisa" who ends up ostracised