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Out of Blue

Drama · Crime

Out of Blue

Can you explain your place in the Universe?

5.1(85) 3/22/2019 1h 50m
DramaCrimeMystery

Mike Hoolihan is an unconventional New Orleans cop investigating the murder of renowned astrophysicist Jennifer Rockwell, a black hole expert found shot to death in her observatory. As Mike tumbles down the rabbit hole of the disturbing, labyrinthine case, she finds herself grappling with increasingly existential questions of quantum mechanics, parallel universes, and exploding stars. The hunt for a killer draws a detective into an even larger mystery: the nature of the universe itself.

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Trailer

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Top Cast

Patricia Clarkson

Patricia Clarkson

Det. Mike Hoolihan

Toby Jones

Toby Jones

Prof. Ian Strammi

Mamie Gummer

Mamie Gummer

Jennifer Rockwell

Aaron Tveit

Aaron Tveit

Tony Silvero

James Caan

James Caan

Col. Tom Rockwell

Alyshia Ochse

Alyshia Ochse

Laurel Ann Rockwell

Yolonda Ross

Yolonda Ross

Janey Mac

Tenea Intriago

Tenea Intriago

Lucy

Directed by

Carol Morley

Production

Reviews

Stephen Campbell

4/10

7/23/2019

**_A clichéd, predictable, tonally inconsistent mess_** > _Somewhere in the universe two black holes collide - as heavy as stars, as small as cities, literally black (the complete absence of light) holes (empty hollows). Tethered by gravity, in their final seconds together the black holes course through thousands of revolutions about their eventual point of contact, churning up space and time until they crash and merge into one bigger black hole, an event more powerful than any since the origin of the universe, outputting more than a trillion times the power of a billion Suns. The black hol__es collide in complete darkness. None of the energy exploding from the collision comes out as light. No telescope will ever see the event._ - Janna Levin; _Black Hole Blues and Other Songs from O

Peter McGinn

7/10

4/4/2020

Near as I can figure just about everybody hates this movie. Clearly expectations based on the novel were not met. I almost feel badly about not hating it. Oh well. I found the complex and subtle plot line to be intriguing, and I was therefore too caught up in the evocative camera work and the atmospheric soundtrack to count the mistakes and perceived lapses in judgment that others found. Yes, I could have done without the little bits of film clips they threw in repeatedly: the marble or whatever it was rolling on the floor, the red scarf, and so on. There was no explanation that I could see and perhaps deserved to be on the cutting room floor, so to speak. And the ending was a bit too ambiguous for me, which probably was what they were aiming for, so congratulations to them on that fron

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