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And Then There Were None

Crime · Drama

And Then There Were None

The who's next whodunnit.

5.7(116) 9/24/1974 1h 38m
CrimeDramaMysteryHorror

Ten people are invited to a hotel in the Iranian desert, only to find that an unseen person is killing them one by one. Could one of them be the killer?

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Trailer

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Top Cast

Oliver Reed

Oliver Reed

Hugh Lombard

Elke Sommer

Elke Sommer

Vera Clyde

Richard Attenborough

Richard Attenborough

Judge Arthur Cannon

Stéphane Audran

Stéphane Audran

Ilona Morgan

Gert Fröbe

Gert Fröbe

Wilhelm Blore

Herbert Lom

Herbert Lom

Dr. Edward Armstrong

Maria Rohm

Maria Rohm

Elsa Martino

Adolfo Celi

Adolfo Celi

General André Salvé

Directed by

Peter Collinson

Production

Reviews

John Chard

4/10

7/7/2014

And then they were gone – again! Ten Little Indians (AKA: And Then There Were None) is directed by Peter Collinson and adapted to screenplay by Peter Wellbeck (AKA: Harry Alan Towers) from the Agatha Christie novel. It stars Charles Aznavour, Stephane Audran, Elke Sommer, Gert Frobe, Herbert Lom, Oliver Reed and Richard Attenborough. Music is by Bruno Nicolai and cinematography by Fernando Arribas. Agatha Christie’s famous novel gets another make-over, this time the action is located at a near empty hotel in the Iranian desert. Premise is exactly the same as the 1965 version, 10 people gather at the location on the request of the mysterious U.N. Owen (here voiced by Orson Welles), who via a tape recorded message calls them out for dastardly deeds committed in their respective lives.

CinemaSerf

6/10

5/27/2023

Despite Peter Collinson having assembled a pretty stellar cast for this adaption of the legendary Agatha Christie's story, the sum of the parts doesn't quite add up. All invited to spend the weekend at a remote island mansion, a group of ostensibly upright citizens are told that by their ethereal host (Orson Welles) that they are unlikely to survive the evening. Oliver Reed, and the triumvirate of off-form Elke Summer, Richard Attenborough and Gert Fröbe all try their best to keep it moving but the dialogue is poor and the pace of the film doesn't ever really work well enough to allow us to invest in the characters enough to care if, or why, they are going get bumped off. Herbert Lom, perhaps, raises the bar a bit but for the most part this is a mediocre remake that nobody really needed. I

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