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Marighella

Drama · History

Marighella

Brazil’s number one enemy

7.6(135) 1/29/2021 2h 35m
DramaHistoryAction

Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

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Trailer

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Top Cast

Seu Jorge

Seu Jorge

Carlos Marighella

Bruno Gagliasso

Bruno Gagliasso

Lúcio

Luiz Carlos Vasconcelos

Luiz Carlos Vasconcelos

Branco

Humberto Carrão

Humberto Carrão

Humberto

Jorge Paz

Jorge Paz

Jorge

Bella Camero

Bella Camero

Bella

HV

Henrique Vieira

Frei Henrique

Ana Paula Bouzas

Ana Paula Bouzas

Maria

Directed by

Wagner Moura

Production

Reviews

KendraChihaya

1/10

2/18/2019

The film is a free adaptation to fiction of the life of one of the worst communist guerrillas that ever lived in Brazil. It can not be considered a biographical film, much less a documentary, since many situations and scenes were created by the film director, niece of the terrorist, to substantiate the character's "hero" thesis. No matter how clear the interest in humanizing Marighella, trying to turn it into myth, the insistence on trying to associate it simply as an uncle, an ordinary man, is no longer a mere initial curiosity and gradually becomes an exaggeration unnecessary of the director. This duality, between the familiar and historical aspect, punctuates the whole film, provoking a clear conflict in the "documentary", making it a work of fiction. In the real life, the main ch

r96sk

8/10

1/10/2023

A tad slower than I would've liked, though <em>'Marighella'</em> is still very good. Seu Jorge puts in a noteworthy performance throughout, all the more impressive given acting isn't his bread and butter. I also enjoyed Bruno Gagliasso in this, not his character of course but the actor's showing is good. The rest of the cast, e.g. Humberto Carrão and Luiz Carlos Vasconcelos, merit praise too. I can't say I knew anything about Carlos Marighella (surname did ring a slight bell beforehand, mind) or even much about this era of Brazil, which is something I actually prefer as I like to judge a film as a film and not having prior knowledge only helps that. Therefore, I wouldn't know how truthful this biopic is or isn't but I will say it doesn't hold much back - there are some very rough sce

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