

Romance · Drama
Rebecca
All marriages have their secrets
After a whirlwind romance with a wealthy widower, a naïve bride moves to his family estate but can't escape the haunting shadow of his late wife.
Trailer
Top Cast

Lily James
Mrs. de Winter

Armie Hammer
Maxim de Winter

Kristin Scott Thomas
Mrs. Danvers

Keeley Hawes
Beatrice

Ann Dowd
Mrs. Van Hopper

Sam Riley
Jack Favell

Tom Goodman-Hill
Frank Crawley

Mark Lewis Jones
Inspector Welch
Directed by
Ben Wheatley
Production
Reviews
Manuel São Bento
5/1010/21/2020
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Netflix’s Rebecca is based on the 1938’s novel of the same name written by Daphne du Maurier, but it’s not its first cinematic adaptation, which leads me to the following shameful statement: I’ve never seen the famous Alfred Hitchcock’s version of this story (nor have I read the novel, but I firmly defend that this doesn’t matter). It’s the only film of Hitchcock’s filmography to have received the Best Picture award, so I admit that I’m much at fault here. However, Ben Wheatley isn’t directing a remake of the original movie, but rather another adaptation of the also incredibly popular novel. I was intrigued by the premise, and the cast is definitely convincing, so how did it go? If I had
Coco Sea
8/101/4/2024
Splendid Remake! At the start, Wheatley’s direction sails us around an elegant coastal hotel in this lavish period drama. With enviable period fashion and classic cars, a wicked, obtrusive employer is easily replaced by a quietly confident Maxim, handsomely and splendidly played by Mr. Hammer. How lucky is the beautiful (yet daunted) lady’s companion to have met him. Or is shi? Mr. Hammer’s Maxim is not cocky or patronizing as Mr. Olivier’s in 1940; Mr. Hammer is quite appealing at the start. Miss James offers as brilliant a performance as Joan Fontaine’s in 1940. I also prefer this pleasant and proper 2020 version (instead of the 1940 version). I expect as much from the British and from the ‘lady and gentleman’ dance of the director (Wheatley) and the screenwriters (Goldman, S
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