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Being the Ricardos

Drama · History

Being the Ricardos

A story behind one of the most influential shows of all time.

6.5(703) 12/10/2021 2h 12m
DramaHistory

Lucille Ball and Desi Arnaz face a crisis that could end their careers and another that could end their marriage.

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Trailer

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Top Cast

Nicole Kidman

Nicole Kidman

Lucille Ball

Javier Bardem

Javier Bardem

Desi Arnaz

J.K. Simmons

J.K. Simmons

William Frawley

Nina Arianda

Nina Arianda

Vivian Vance

Tony Hale

Tony Hale

Jess Oppenheimer

Alia Shawkat

Alia Shawkat

Madelyn Pugh

Jake Lacy

Jake Lacy

Bob Carroll Jr.

Linda Lavin

Linda Lavin

Older Madelyn Pugh

Directed by

Aaron Sorkin

Production

Reviews

CinemaSerf

6/10

3/27/2022

I vaguely recall watching "I Love Lucy" - or perhaps I just recall that memorable theme tune, but I have to say I knew nothing at all about the "Desilu" couple before watching this. As ever, it has Sorkin's trademark dialogue - quickly paced, pithy at times; but somehow the performances just didn't catch fire. Kidman is a very versatile actress, she can turn her hand to just abut anything - but for this to have worked better, she would have needed a more convincing foil. Javier Bardem just isn't him. Their lively relationship is suggested rather than demonstrated and much of what made them the US household names they were is, again, just taken for granted. Their domestic status as super-stars was not replicated globally, and yet little time is spent trying to explain to those less familiar

tmdb28039023

1/10

8/28/2022

There are two lines of dialogue in Being the Ricardos that really caught my attention. One is “I literally said that 30 seconds ago,” and the other is “It takes fewer words to say that than the truth.” This film feels like a lot of the former when it should be more of the latter. Why does a movie called Being the Ricardos spends so much time on Ethel/Vivian Vance (Nina Arianda) and Fred/William Frawley (J.K. Simmons), whom nobody cared about 70 years ago, and no one cares about today? Speaking of redundant characters, writer/director Aaron Sorkin aims to give the film a documentary feel with asides set in the present day in which people involved with the production of I Love Lucy talk about it — kind of like in Reds, except that Reds worked because the individuals interviewed were wh

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