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Daniel Isn't Real

Horror · Mystery

Daniel Isn't Real

The mind will do anything to avoid confronting just how alone it is in the universe.

6.1(241) 12/6/2019 1h 41m
HorrorMystery

A troubled college freshman resurrects his imaginary friend to help him cope with a violent trauma.

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Trailer

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Top Cast

Miles Robbins

Miles Robbins

Luke Nightingale

Patrick Schwarzenegger

Patrick Schwarzenegger

Daniel

Sasha Lane

Sasha Lane

Cassie

Mary Stuart Masterson

Mary Stuart Masterson

Claire

Hannah Marks

Hannah Marks

Sophie

Chukwudi Iwuji

Chukwudi Iwuji

Dr. Cornelius Braun

Peter McRobbie

Peter McRobbie

Percy Thigpen

Chase Sui Wonders

Chase Sui Wonders

Makayla

Directed by

Adam Egypt Mortimer

Production

Reviews

SWITCH.

7/10

12/10/2019

‘Daniel Isn’t Real’ (based off of Brian DeLeeuw’s novel ‘In This Way I Was Saved’) shares a lot of similarities with David Fincher's ‘Fight Club’, which followed a powerless office worker who happens to meet an assertive friend who helps him become more confident only for everything to get out of hand. I also kept thinking of Curtis Hanson’s underrated ‘Bad Influence’ with James Spader and Rob Lowe, Robert Mulligan’s ‘The Other’, Gregory Hoblit's 'Fallen', and Brad Anderson's 'Session 9'. ‘Daniel Isn’t Real’ is a slickly directed, spooky and surprisingly empathetic film about the monsters that dwell in the human mind. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-daniel-isnt-real-smart-and-sinister-psychological-horror

Filipe Manuel Neto

5/10

12/19/2022

**It's not original, it's not remarkable, but it was a pretty decent job considering the budget and people involved.** This is another one of those movies that I caught, by chance, starting on TV, and that I decided to watch. So I didn't have high expectations nor did I know exactly what I was going to find. When it was over, I can say that I reasonably liked what I saw: it intelligently explores the human mind and the dark side of the personality, it unfolds well until close to the end, and it is precisely the final part that disappointed me the most. The script begins by introducing us to a young man who, as a child, had an imaginary friend who disappeared as he grew up. The pressure of university life and family problems, however, lead to the reappearance of the imaginary friend,

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