

Horror · Thriller
Psycho
A new and altogether different screen excitement!
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
Part of the Psycho Collection →Trailer
Top Cast

Anthony Perkins
Norman Bates

Janet Leigh
Marion Crane

Vera Miles
Lila Crane

John Gavin
Sam Loomis

Martin Balsam
Milton Arbogast

John McIntire
Al Chambers

Simon Oakland
Fred Richman

Frank Albertson
Tom Cassidy
Directed by
Alfred Hitchcock
Production
Reviews
Gimly
7/1010/27/2017
Required viewing. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wuchak
9/108/20/2018
“We all go a little mad sometimes. Haven't you?” A Phoenix secretary, Marion Crane (Janet Leigh), embezzles $40,000 and rashly flees town, ending up at a remote motel in Fairvale, California, where she encounters the eccentric Mama’s boy Norman Bates (Anthony Perkins). Mixed into this web is a private investigator (Martin Balsam), Marion’s sister (Vera Miles) and Marion’s secret beau (John Gavin). Directed by Alfred Hitchcock based on Robert Bloch’s book, “Psycho” made a huge impact when it was released in 1960. It contains a plot development that was groundbreaking at the time shared by England’s “City of the Dead” (aka “Horror Hotel”), which went into production six weeks earlier than “Psycho” and was released in the UK at the same time, but not in America until 2 years later. Whil
tmdb56937092
10/1012/11/2019
My most favourite film from the master of suspense. This psychological horror is widely considered to be the first ever slasher film. Powered by great performances from Anthony Perkins & Janet Leigh, and the outstanding score by Bernard Herrmann which adds such great tension throughout the film, it is unarguably the greatest thriller ever made. Only Alfred Hitchcock could make a film so entertaining and so horrifying at the same time. The climax continues to haunt me forever.
JPV852
9/109/7/2020
Amazingly, this is my first ever viewing, not sure why I waited so long, but finally got around to it. Great movie in every way from the performance by Anthony Perkins to the atmosphere, enjoyed every bit of this even though I basically knew the entire plot at this point since all iconic scenes and lines have been repeated over the years. Not sure this is my *favorite* Hitchcock movie as I still prefer Rear Window, but obvious why it has held up 60 years later. **4.5/5**
CinemaSerf
8/105/29/2022
There is so much more to this film than just that famous scene in the shower - and so much of it belongs to the marvellous scoring of Bernard Herrmann. His ability to use those screeching strings, and the pace of his music does so much of the heavy lifting that gives this film a sense of accumulating menace that makes it still, after over 60 years, a masterful piece of cinema. Janet Leigh wants to make a go of things with her cash-strapped hunky boyfriend "Sam" (John Gavin) so when an unexpected opportunity arises at work that puts $40,000 in her lap, she skips town and takes refuge during a thunderstorm at the "Bates" motel where she encounters "Norman" (a very handsome looking Anthony Perkins). The rest you will just have to watch for yourself, but the story has just about everything you
CaryGranite
6/23/2025
Any fan of slasher/ horror films should consider this required viewing. Marion(Janet Leigh) and her "secret" boyfriend Sam(John Gavin) want to be together. Sam, who is divorced and cash poor feels he cannot provide a happy life for the two of them. Desperate, Marion has an opportunity to steel 40,000.00. She flees Arizona and heads to California where she ends up at the Bates Motel and meeting Norman Bates(Anthony Perkins). Stellar cast, with Perkins giving a eerie Oscar worthy performance. Cinematography and the soundtrack are amazing. The iconic shower scene is just as effective today as it was 65 years ago. If I was going to make a criticism it would be the scene at the end where the audience sees everything for what it is. Hitchcock had many requirements for this scene and I felt t
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