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Rashomon

Crime · Drama

Rashomon

The husband, the wife… or the bandit?

8.0(2,545) 8/26/1950 1h 28m
CrimeDramaMystery

Four people recount different versions of the story of a man's murder and the rape of his wife.

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Top Cast

Toshirō Mifune

Toshirō Mifune

Tajômaru

Machiko Kyō

Machiko Kyō

Masako

Takashi Shimura

Takashi Shimura

Woodcutter

Masayuki Mori

Masayuki Mori

Takehiro

Minoru Chiaki

Minoru Chiaki

Priest

Kichijirō Ueda

Kichijirō Ueda

Commoner

Noriko Honma

Noriko Honma

Medium

Daisuke Katō

Daisuke Katō

Policeman

Directed by

Akira Kurosawa

Production

Reviews

The Movie Diorama

10/10

1/17/2020

Rashomon beguiles through the torrential downpour of fabrication. “It’s human to lie. Most of the time we can’t even be honest with ourselves”. Honesty. Deceit. Contradiction. A crucial part of human preservation is the requirement to lie. Intentional or accidental, it’s within our ancestral blood. The unprejudiced can succumb to the immoral values of deceit, either through meticulous storytelling or scattershot deception. Even the truth can be distorted by one’s self-absorbed ego. The mutually contradictory stories of a bandit, Samurai and his wife, during a police questioning of an ambush, rape and murder, provides Kurosawa with the leverage to thematically explore the depths of human duplicity. A narrative conveyed through the perspective of four individuals, each telling a variation of

CinemaSerf

7/10

2/10/2023

In what seems like an endless, almost biblical, rainstorm we meet three people sheltering in the ruins of an old gatehouse. Each has their own story to tell of the rape of a woman and of the murder of her husband. It was the woodcutter (Takashi Shimura) who discovered the body and who alerted the authorities. It was those authorities that conducted a trial at which a priest (Minoru Chiaki), the woodcutter, the widow/victim (Machiko Kyô); the ghost of her deceased Samurai husband and, finally, the renowned bandit "Tajômaru" (Toshirô Mifune) are required to testify. We are shown manifestations of each testimony: all smilier but different. Who were the two victims? Was he honourable and decent? Was she demure or a temptress? Are those testifying embellishing what they saw, what they did? What

Filipe Manuel Neto

7/10

5/31/2023

**A good movie.** Despite acknowledging the quality and attention to detail, I can't really enjoy Japanese cinema. Maybe because it's so different from what we have around here. But even being so different, we have to recognize the talent of those who have it. Akira Kurosawa is a director with a sharp eye and detail, who knows how to direct the people under his command and extract from each one what he needs for the film he has in hand. This film seemed to me to be a lot more complicated than it would have been presumed, and I must say that I decided to watch it without knowing very well what I was going to find. Sometimes it feels good to discover something and let yourself be surprised, doesn't it? The story revolves around a crime committed in the middle of the forest, in which a

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