

Romance · Drama
Ammonite
In 1840s England, palaeontologist Mary Anning and a young woman sent by her husband to convalesce by the sea develop an intense relationship. Despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.
Trailer
Top Cast

Kate Winslet
Mary Anning

Saoirse Ronan
Charlotte Murchison

Gemma Jones
Molly Anning

James McArdle
Roderick Murchison

Alec Secăreanu
Dr. Lieberson

Fiona Shaw
Elizabeth Philpot

Sarah White
Museum Cleaning Woman

Liam Thomas
Museum Workman
Directed by
Francis Lee
Production
Reviews
SWITCH.
8/1011/15/2020
Much like its protagonist, 'Ammonite' is a film that initially keeps you at a distance - but this is a deliberate decision, one that makes the embrace of the final act all the more powerful. This isn't a sweeping story of passionate love, but a journey back <i>to</i> love, and a journey with an unexpected destination. Perhaps what Mary is looking for - the true fossil she is trying to uncover within herself - is not the connection of another person but the connection with herself, a forgotten part of herself long-buried or taken away. Charlotte is the path to that salvation, and in turn, is led out of the darkness herself, returned to a kind of love and passion thought lost, and giddy at the finding of it. 'Ammonite' is such a beautiful, soulful and intelligent film, made with honesty, int
Peter McGinn
9/105/19/2021
As entertainment, I enjoyed watching Ammonite. The protagonist, Mary Anning, is an intriguing woman. She is prickly and somewhat anti-social, at least to strangers. Yet she puts up with oppressive behavior by her mother, perhaps to keep the peace or because they are family. She is dedicated to her pursuit of science through paleontology, but also pays the bills by creating what amount to trinkets to sell to tourists. She is interesting, which isn’t a bad thing in a main character. But Mary Anning was a real person, and as such, the filmmakers “elevated” her story by involving her in a lesbian relationship that was not supported by any historical evidence. This is what movies do, and it does add to the plot, though it was small consolation to a descendant of Mary Anning, who questioned w
CinemaSerf
6/103/27/2022
This is a beautifully crafted piece of work from Francis Lee and Stéphane Fontaine that depicts the rather downtrodden existence of 19th century English paleontologist Mary Anning (Kate Winslet) who spends much of her time combing the beach for shells and fossils that she restores and sells in a small shop she shares with her ailing mother (Gemma Jones). The arrival of the enthusiastic Roderick Murchison (James McArdle) and his wife Charlotte (Saoirse Ronan) changes her pretty breadline, dreary, routine as he, initially, pays her to show him how to spot the ammonite but then leaves his poorly wife in her care to recuperate from an as yet undefined malady. The story is essentially about how the two women bond, and about how that bond intensifies and it features two very strong performances
beyondthecineramadome
2/106/20/2022
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/between-a-rock-and-a-hard-place-ammonite-review<a> Despite the fact that production and filming began prior to Celine Sciamma’s exquisite _Portrait of a Lady on Fire_, Francis Lee’s _Ammonite_ was released after it and cannot escape the comparison. The two films are similar in that both take place in secluded oceanside locales, focus on a lesbian relationship, and are period pieces. However, that is where the similarities end. While _Portrait of a Lady on Fire_ soars, _Ammonite_ stumbles.
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