

Drama · Science Fiction
The Platform
There are 3 kinds of people; the ones above, the ones below, and the ones who fall.
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
Part of the The Platform Collection →Trailer
Top Cast

Ivan Massagué
Goreng

Antonia San Juan
Imoguiri

Zorion Eguileor
Trimagasi

Emilio Buale
Baharat

Alexandra Masangkay
Miharu
Zihara Llana
Mali

Mario Pardo
Baharat's Friend

Algis Arlauskas
Inmate #1
Directed by
Galder Gaztelu-Urrutia
Production
Reviews
Leno
3/103/27/2020
*don't waste your time*. Most of the movie happens in a sort of multi-floor prison where the top levels can control the food that goes to the bottom floors. This created a sort of class structure where top-levelers had pleasure on denying food to the bottom levels, although the floors were sorted periodically. The protagonist started to question this structure and tried to change it. Although starting well, the movie lost its track trying to be too much symbolic and enigmatic. The ending was very disappointing leaving too many loose ends that should have been closed.
Shumafuk
8/103/27/2020
A violent form of demonstration of the problems of capitalist society. Despite the fact that the level of violence is too much for me, I understand purpose of it for narration. Actually I find this film quite spiritual. The parallel between Jesus and Christian values is quite obvious.
Manuel São Bento
7/103/29/2020
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com Netflix has been supporting small, independent filmmaking for a while now. In 2018, Roma (re)opened a Best Picture nomination path to foreign films. Last year, Martin Scorsese's epic The Irishman could only come to life via streaming since no major studio wanted a three-and-a-half-hour runtime for a theater release. Between these two, dozens of other indie flicks got Netflix's (or other streaming networks) support. 2020 brings us a Spanish horror-thriller from a first-time director (Galder Gaztelu-Urrutia): The Platform (or El Hoyo). Since its showing at TIFF, this movie has been receiving overwhelmingly positive feedback. So, obviously, I needed to add it to my list. I watched it a coup
Kamurai
9/107/22/2020
A fantastic watch, will watch again, and can recommend. This is a survivalist movie, heavy with philosophy of morality. A lot of the time when I get to say anything close to that, I get to say, "but there is humor too", there is not: not traditional humor anyways. This is a dark movie filled with metaphor and cruel reality. Now while I am usually offended by reality encroaching on my escapism, that is normally when I'm trying to watch dirt humor. When to take a concept like this, the relation to reality only strengthens the movie. "Those above, and those below" is something to think about, and if that intrigues you or you're already onboard for a philosophical discussion of anti-hierarchical class society structure, or intrigue by the idea that it doesn't matter who or when som
Arshia Borjali
12/26/2020
Rate: zero This is what happens when we build a house for a door (instead of building a house and then put doors in it); An exotic, dirty and cluttered movie. Dirty but not necessarily in the visual meaning but in the cinematic meant. The director does not know what he wants to do at all, the camera angles, the frames, the compositions and everything are completely in the air, he just knows he wants to beat capitalism but he does not know how and for this purpose, which is what He does not do well, he comes to the great art of cinema and insults it with this film. A film must first become a cinematic work and then speak, first a house must be built and then several doors must be left for it, it is not possible to throw an ideology in the middle and make a film around it, of course, if i
AstroNoud
7/102/26/2022
An extremely cruel and disturbing psychological dystopian thriller. 7/10
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