Contact

5/2/2016

I would readily admit this is one of my favourite science fiction films from the 90's. It's intelligent, well-acted and directed, and the special effects it has HELPS the story rather than IMPEDES it. Though she hasn't done much lately, either in the director's chair or acting, Jodie Foster is one of my favourite contemporary American actresses, and it's intriguing how her great talent's been utilized of late (ie., 'Elysium', and I'm still very mad at Spike Lee for having Christopher Plummer call her a 'cunt' in 'Inside Man'). Personally, I must admit that I myself have worried what other worlds' inhabitants would think of our civilization from the messages it might get from Earth. Though I thankfully haven't lost any sleep over it (I have 'Thumper' in the apartment above me to thank fo

11/26/2021

Random viewing but decided to finally watch after its been in my to-do bin for a while now. It didn't strike an emotional cord that I thought it would but Jodie Foster was quite good as were a respectable supporting cast. Never quite bought into the relationship between Foster and McConaughey though in fairness, probably due to the lack of screen time together (felt like maybe 15 minutes in a 2.5 hour movie). Some of the effects were alright for its time including integrating Clinton footage with the cast and the sci-fi specific visuals were alright. In the end, never was bored and found it to be entertaining. **4.0/5**

8/27/2022

Early on in Contact a character is introduced who goes by the name “Kent Clark,” and for the remainder of the film I simply could not get over the fact that no one ever even mentions that he is named after Bizarro’s alter ego. My theory is that this is a figurative wink to the audience, letting us know beforehand what we otherwise discover at long last: that the events that are about to unfold are nothing but an elaborate prank on the audience and, possibly, the cast. This movie exists in a limbo somewhere in between Close Encounters of the Third Kind’s unabashed childlike wonder and Ad Astra’s adult ‘we’re alone in the Universe’ pragmatism – which is a polite way of saying that Contact is neither fish nor fowl; the moral of the story, in a nutshell, is that there might be intelligen

12/26/2023

**A film that gets more right than it gets wrong, in a friendly tribute to Carl Sagan.** The theme of extraterrestrial life will always be a big deal for cinema, and is one of the most solid subjects within sci-fi. On the one hand, it has already given us a series of gems, but it also occasionally gives us films so bad that they are not worth the price of the plastic DVD. This film, for me, stays on positive ground: it gives us a solid story, intelligent enough to be believable, but it completely loses its way when it tries to introduce some action and shake things up a bit. One of the most positive aspects of this film is the credible and understandable way in which it talks about complex scientific subjects and concepts. There are high doses of science and if we take into account t